Authors
Bernardo Bertolucci Net Worth
Bernardo Bertolucci Net Worth 2023: Wiki Biography, Married, Family, Measurements, Height, Salary, Relationships

Bernardo Bertolucci net worth is
$40 Million
Bernardo Bertolucci Wiki Biography
Bernardo Bertolucci (Italian: [ber?nardo berto?lutt?i]; born 16 March 1941) is an Italian film director and screenwriter, whose films include The Conformist, Last Tango in Paris, 1900, The Last Emperor, The Sheltering Sky and The Dreamers. In recognition of his work, he was presented with the inaugural Honorary Palme d'Or Award at the opening ceremony of the 2011 Cannes Film Festival. Net Worth | $40 Million |
Date Of Birth | March 16, 1941 |
Place Of Birth | Parma, Emilia-Romagna, Italy |
Height | 5' 10" (1.78 m) |
Profession | Writer, Director, Producer |
Parents | Attilio Bertolucci , Ninetta Giovanardi, Ninetta Giovanardi |
IMDB | http://www.imdb.com/name/nm1134076 |
# | Trademark |
---|---|
1 | Nonlinear timeline. |
2 | Often references famous painters or art movements. |
3 | Long, complex camera movements. |
4 | Frequently has nude scenes in his films |
5 | Frequently references classic movies |
# | Quote |
---|---|
1 | What you want from a movie when you begin it is 150,000 miles from what you reach at the end. Moviemaking is a process. You end with something different; that's what gives it life. I cannot plan a film as a script or as a storyboard. I need the camera; I need the actors. I can't do it on a desk. I need the reality to whisper to me. If you leave the door open to reality, the smell of reality is so strong, it adds so much. It attacks and enters and infiltrates, that's what I enjoy. |
2 | What interests me in The Sheltering Sky (1990) is not where the story goes but what it is and what it does on the way. It's about the mystery in the characters and the couple - the mystery of their chemistry. The interesting thing is the mystery itself, not its solution or resolution. |
3 | When a movie does very well, like some of mine, they ask you to re-do it, to make No. 2. This is dangerous, and I'm trying not to do it. You can become a copier of yourself. There are other filmmakers who can copy you better than you can yourself. |
4 | Very often the filmmaker will not receive money if he doesn't make the kind of film the Hollywood studios want. |
5 | My way of directing actors is always, first of all, to be very curious about what they really are because you can't lie to the camera. I try to get close to the person's reality and then use what I find there in the direction of the character. Since I think the camera sees the truth, I prefer to go with the actor - like Brando, for instance - because if you involve actors in the whole process, they will give you so much more. |
6 | In Hollywood there used to be a sort of 'miracle of harmony' - harmony between the people writing the story, director, cast, set designer, and the grace of some of the Hollywood movies became inevitable - something within that system that made it all work. But today the production system has lost that grace. |
7 | ,,, With each of my movies, every time is the first time... which means taking risks... |
8 | [on The Sheltering Sky (1990)] It's not an epic with a thousand extras. It's an epic of the heart. It's a love story. And the most common love story of all, about two people who adore each other but cannot be happy. On another, perhaps deeper level, it's about the difference between the traveler and the tourist. It's a distinction Paul Bowles makes in the early part of the book. A tourist wants to go home as soon as he has seen what he set out for. But a traveler wants to disappear, he wants to drown. |
9 | [on Ultimo tango a Parigi (1972)] I chose two actors, Dominique Sanda and Jean-Louis Trintignant for Last Tango. She gets pregnant. He can't get naked and do love scenes. I end up with Brando and Schneider. Thank God! |
10 | [accepting his Golden Globe for The Last Emperor (1987)] I always thought The Last Emperor was almost an impossible project - because of China, because of the cost, because of no major stars in the movie; to be here with five nominations is the proof that although it's the story of a unique destiny, of a Chinaman, the movie goes beyond, can be understood everywhere. |
11 | [on describing Hollywood as "the big nipple" at the 1988 Academy Awards] The day after I remember I was driving in Sunset Boulevard and on the radio there was the disc jockey saying, "and now music from the Big Nipple..." And so they adopted it...I just meant that night these nine Oscars (for The Last Emperor (1987)) were like a big, big breast feeding all of us. It was a joke. Sometimes from Hollywood is a very dry nipple; that time it was big and very generous. |
12 | [on Silvio Berlusconi] We had 20 years with him. With his big TV channels, he created many subcultural values. He killed culture, in a way. He anaesthetised the brains of young people growing up in those years. Often, you can see an ignorance that is so big and so terrifying. |
13 | [on Breaking Bad (2008)] In the story, there is a freedom. But there are many other things which are free in terms of style. With TV series, they don't have the obsession in the editing room to do chop-chop-chop-chop. There are moments when the character is not doing something. In a series, you have a long time where the camera rests on the face of Walter White, and it stays forever, which is not allowed in cinema anymore. |
14 | My generation had an affair with American culture, there's no doubt about it. A street lamp and a fire hydrant made me sing in the rain. But the American films I like now do not come from Hollywood studios but from television series, like Mad Men (2007), Breaking Bad (2008), The Americans (2013). I like when they last 13 episodes but then there is a new series coming with another 13 episodes. Apart from a few independent productions, I think that everything that comes from Hollywood is generally sad. It makes me very sad. |
15 | [on the end of Breaking Bad (2008)] I'm sad about it. I want more. |
16 | [on American movies] I saw Stagecoach (1939) and for me, John Ford became Homer. I was in front of a full-length mirror and what I was seeing at 12 wasn't me, it was John Wayne. |
17 | The best work being done now is for television. Breaking Bad (2008) - a masterpiece. House of Cards (2013) - very, very good. |
18 | Kurosawa's movies and La Dolce Vita (1960), Fellini, are the things that pushed me into being a film director. |
19 | [on Marlon Brando] An angel as a man, a monster as an actor. |
20 | [on Gérard Depardieu] Fills the space like a young Marlon Brando. He has an extraordinary intensity. |
21 | [on the untimely death of Pier Paolo Pasolini] A remarkable director - a great loss to Italian culture. It was as if he was discovering cinema from scratch. |
22 | You know for American filmmakers, the Oscars is like a mystic thing. For me it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent. |
23 | [In response to Ingmar Bergman's contention that Ultimo tango a Parigi (1972) (US title: "Last Tango in Paris") was really about homosexuals, and only in those terms did the film make sense and become interesting] I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem. |
24 | [on making The Dreamers (2003)] It gave me the chance of visiting a moment that I really loved a lot, the late 1960s. It was a kind of magic moment in many senses. There was a fantastic projection of the future, of utopias, which were very noble in some ways. I remember being young in the 1960s. We had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world. |
25 | A monoculture is not only Hollywood, but Americans trying to export democracy. I don't think you can in any way export culture with guns or tanks. I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment. |
26 | I am still against any kind of censorship. It's a subject in my life that has been very important. |
27 | I don't film messages. I let the post office take care of those. |
28 | [His answer on 2 October 1979 to a woman who had just seen a special screening of Luna (1979) at the Film Center of the School of the Art Institute, Chicago] I left the ending ambiguous, because that is the way life is. |
29 | [on Los Angeles] The Big Nipple. |
# | Fact |
---|---|
1 | Bertolucci's "Last Tango in Paris" was pronounced obscene as was banned 'forever' by Italian courts. The director lost his civil rights for 5 years and couldn't vote and received a four months suspended sentence. |
2 | He's a big fan of Breaking Bad (2008). |
3 | He was awarded a Star on the Hollywood Walk of Fame at 6925 Hollywood Boulevard in Hollywood, California on November 19, 2013. |
4 | He has been wheelchair bound for the past few years due to serious back problems. |
5 | Directed one Oscar nominated performance: Marlon Brando in Ultimo tango a Parigi (1972). |
6 | When the Italian Bertolucci was Oscar-nominated as Best Director for The Last Emperor (1987) (and won), his Best Director fellow nominees were all non-Americans: Adrian Lyne and John Boorman (UK), Lasse Hallström (Sweden) and Norman Jewison (Canada) making that particular instance unique in Oscar history. [April 1988] |
7 | He was made a Fellow of the British Film Institute in recognition of his outstanding contribution to film culture. |
8 | Was close friends with Pier Paolo Pasolini. |
9 | Supported the Italian Communist Party (PCI). |
10 | In July 1990, along with Federico Fellini, Tonino Guerra and Marcello Mastroianni, he wrote: "With the death of Sergei Parajanov cinema lost one of its wizards.". |
11 | Was president of the jury at the Cannes Film Festival in 1990. |
12 | The young Bertolucci took after his father, a Roman poet and film critic, and became a celebrated published poet by the age of 20. He gave up poetry for the cinema after working as an assistant to Pier Paolo Pasolini on the movie Accattone (1961). |
13 | Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 121-127. New York: The H.W. Wilson Company, 1988. |
14 | Was voted the 44th Greatest Director of all time by Entertainment Weekly. |
15 | Homage at the 48th Donostia-San Sebastián Film Festival. [2000] |
16 | Older brother of Giuseppe Bertolucci, cousin of Giovanni Bertolucci. Brother-in-law of Lucilla Albano. Brother-in-law of Mark Peploe. |
17 | Son of poet Attilio Bertolucci and Ninetta Giovanardi. |
18 | Born at 7:25pm-CET. |
Writer
Title | Year | Status | Character |
---|---|---|---|
Io e te | 2012 | screenplay | |
Ten Minutes Older: The Cello | 2002 | written by - segment "Histoire d'eaux" | |
The Triumph of Love | 2001 | written by | |
L'assedio | 1998 | writer | |
Stealing Beauty | 1996 | story | |
Little Buddha | 1993 | story | |
The Sheltering Sky | 1990 | screenplay | |
The Last Emperor | 1987 | screenplay | |
Cartoline dalla Cina | 1985 | TV Short documentary commentary | |
Tragedy of a Ridiculous Man | 1981 | ||
Luna | 1979 | story / writer | |
1900 | 1976 | screenplay by | |
Il silenzio è complicità | 1976 | Documentary | |
Ultimo tango a Parigi | 1972 | screenplay / story | |
L'inchiesta | 1971 | TV Movie | |
The Spider's Stratagem | 1970 | ||
The Conformist | 1970 | screenplay | |
Amore e rabbia | 1969 | screenplay - segment "Agonia" | |
Once Upon a Time in the West | 1968 | from a story by | |
Partner | 1968 | screenplay / story | |
Ballata da un miliardo | 1967 | ||
La via del petrolio | TV Series documentary screenplay - 3 episodes, 1967 story - 3 episodes, 1967 | ||
Il canale | 1966 | Documentary short concept | |
Before the Revolution | 1964 | story and screenplay | |
La commare secca | 1962 | screenplay |
Director
Title | Year | Status | Character |
---|---|---|---|
Venice 70: Future Reloaded | 2013 | Documentary segment ": "Scarpette rosse" | |
Io e te | 2012 | ||
The Dreamers | 2003 | ||
Ten Minutes Older: The Cello | 2002 | segment "Histoire d'eaux" | |
L'assedio | 1998 | ||
Stealing Beauty | 1996 | ||
Little Buddha | 1993 | ||
The Sheltering Sky | 1990 | ||
12 registi per 12 città | 1989 | Documentary segment "Bologna" | |
The Last Emperor | 1987 | ||
Cartoline dalla Cina | 1985 | TV Short documentary | |
L'addio a Enrico Berlinguer | 1984 | Documentary | |
Tragedy of a Ridiculous Man | 1981 | ||
Luna | 1979 | ||
1900 | 1976 | ||
Ultimo tango a Parigi | 1972 | ||
La salute è malata | 1971 | Documentary short | |
The Spider's Stratagem | 1970 | ||
The Conformist | 1970 | ||
Amore e rabbia | 1969 | segment "Agonia" | |
Partner | 1968 | ||
La via del petrolio | 1967 | TV Series documentary 3 episodes | |
Il canale | 1966 | Documentary short | |
Before the Revolution | 1964 | ||
La commare secca | 1962 |
Producer
Title | Year | Status | Character |
---|---|---|---|
The Triumph of Love | 2001 | producer | |
Io con te non ci sto più | 1982 | producer | |
Sconcerto Rock | 1982 | producer |
Miscellaneous
Title | Year | Status | Character |
---|---|---|---|
L'addio a Enrico Berlinguer | 1984 | Documentary coordinator | |
Documenti su Giuseppe Pinelli | 1970 | Documentary short support | |
Accattone | 1961 | production assistant |
Actor
Title | Year | Status | Character |
---|---|---|---|
Golem, l'esprit de l'exil | 1992 | Le Maître de la Cour |
Editor
Title | Year | Status | Character |
---|---|---|---|
Il silenzio è complicità | 1976 | Documentary |
Thanks
Title | Year | Status | Character |
---|---|---|---|
Ombre della Sera | 2015 | Documentary special thanks | |
The Story of Film: An Odyssey | 2011 | TV Mini-Series documentary thanks - 2 episodes | |
1900: Creating an Epic | 2006 | Video documentary short special thanks | |
1900: The Story, the Cast | 2006 | Video documentary short special thanks | |
Beltenebros | 1991 | dedicatee - as Bernardo |
Self
Title | Year | Status | Character |
---|---|---|---|
El Gato | Documentary filming | Himself | |
Lo sguardo della musica | Documentary filming | Himself | |
Cinque mondi | 2016 | Documentary | Himself |
Perché sono un genio! Lorenza Mazzetti | 2016 | Documentary | |
Acqua e zucchero: Carlo Di Palma, i colori della vita | 2016 | Documentary | |
Because I am a genius! Lorenza Mazzetti | 2016 | Documentary | |
Filmstudio, mon amour | 2015 | Documentary | Himself |
Alfredo Bini, ospite inatteso | 2015 | Documentary | Himself |
Scandalo in sala. La sfida tra Potere e Cinema in Italia | 2014 | Documentary | Himself |
Marlon Brando, un acteur nommé désir | 2014 | TV Movie documentary | Himself |
Poltrone Rosse - Parma e il Cinema | 2014 | Documentary | Himself |
Pasolini, La passion de Rome | 2014 | TV Movie documentary | Himself |
L'inganno | 2013 | Documentary short | Himself |
The Neorealism: We Were Not Just Bicycles Thieves | 2013 | Documentary | Himself - Interviewed |
Bertolucci on Bertolucci | 2013 | Documentary | Himself |
Lino Miccichè, mio padre - Una visione del mondo | 2013 | Documentary | Himself |
Venice 70: Future Reloaded | 2013 | Documentary | Himself (segment: "Scarpette rosse") |
Seduced and Abandoned | 2013 | Documentary | Himself |
Me llamo Olmo | 2012 | Video documentary short | Himself |
The 2012 European Film Awards | 2012 | TV Special | Himself - Winner European Film Academy Lifetime Achievement Award |
Trintignant l'italien | 2012 | TV Movie documentary | Himself |
Paul Bowles: The Cage Door is Always Open | 2012 | Documentary | Himself |
Sedia Elettrica: il making of del film Io e Te | 2012 | Documentary | Himself |
Cinema 3 | 1987-2012 | TV Series | Himself |
At the Movies | 2012 | TV Series | Himself |
Hollywood's Best Film Directors | 2012 | TV Series | Himself - Interviewee / Film Director |
All'ombra del conformista | 2011 | Documentary | Himself |
The Story of Film: An Odyssey | 2011 | TV Mini-Series documentary | Himself - Interviewee |
La passione di Laura | 2011 | Documentary | Himself |
Una historia de Zinemaldia | 2011 | TV Series documentary | Himself |
Kurosawa's Way | 2011 | Documentary | Himself |
Ritratto di mio padre | 2010 | Documentary | Himself |
...Men filmen är min älskarinna | 2010 | Documentary | Himself |
Di me cosa ne sai | 2009 | Documentary | Himself |
Great Directors | 2009 | Documentary | Himself |
The Chinese Adventure of Bernardo Bertolucci | 2008 | Video documentary | Himself |
World Film Report | 2008 | TV Series | Himself |
Corazón de... | 2007 | TV Series | Himself |
Cámara negra. Teatro Victoria Eugenia | 2007 | TV Short documentary | Himself |
E! True Hollywood Story | 2007 | TV Series documentary | Himself |
Brando | 2007 | TV Movie documentary | Himself |
The Puppeteers | 2007 | Documentary | Himself - Interviewee |
'The Conformist': Breaking New Ground | 2006 | Video short | Himself |
1900: Creating an Epic | 2006 | Video documentary short | Himself |
1900: The Story, the Cast | 2006 | Video documentary short | Himself |
Rise of 'The Conformist': The Story, the Cast | 2006 | Video short | Himself |
Shadow and Light: Filming 'The Conformist' | 2006 | Video short | Himself |
Sartoria Tirelli - Vestire il cinema | 2006 | Documentary | Himself |
Sigmund Freud - Auf den Spuren des berühmten Psychoanalytikers | 2005 | TV Movie documentary | Himself |
Filmmakers in Action | 2005 | Documentary | Himself |
Elio Petri... appunti su un autore | 2005 | Documentary | Himself |
There Is No Direction | 2005 | Documentary short | Himself |
Come si fa a non amare Pier Paolo Pasolini - Appunti per un film sull'immondezza | 2005 | Documentary short | Himself |
Imagine | 2004 | TV Series documentary | Himself |
Il était une fois... | 2004 | TV Series documentary | Himself |
Souvenirs d'un président de festival de Cannes | 2004 | Video documentary short | Himself - Interviewee |
Come inguaiammo il cinema italiano - La vera storia di Franco e Ciccio | 2004 | Documentary | Himself |
Outside the Window: Events in May 1968 | 2004 | Video documentary short | Himself |
Comme au cinéma | 2003 | TV Series documentary | Himself |
An Opera of Violence | 2003 | Video documentary short | Himself |
Something to Do with Death | 2003 | Video documentary short | Himself |
Words of My Perfect Teacher | 2003 | Documentary | Himself |
Chaplin Today: Limelight | 2003 | TV Movie documentary | Himself |
Cinema Sex Politics: Bertolucci Makes 'The Dreamers' | 2003 | TV Movie documentary | Himself |
Claude Jutra - An Unfinished Story aka: Claude Jutra, portrait sur film | 2002 | Documentary | Himself - Director |
Bernardo Bertolucci: A cosa serve il cinema? | 2002 | TV Movie documentary | Himself |
Pier Paolo Pasolini e la ragione di un sogno | 2002 | Documentary | Himself |
Léaud l'unique | 2001 | TV Special | Himself |
Salò: Fade to Black | 2001 | Video documentary | Himself |
Kurosawa: The Last Emperor | 1999 | TV Movie documentary | Himself |
Scene by Scene | 1999 | TV Series | Himself |
Playboy: The Story of X | 1998 | Video documentary | Himself - Director |
Tutte le donne di Fassbinder | 1997 | TV Movie documentary | Himself |
Lo + plus | 1996 | TV Series | Himself |
Ballando con Bertolucci | 1996 | TV Movie documentary | Himself |
Empire of the Censors | 1995 | TV Movie documentary | Himself |
La vera vita di Antonio H. | 1994 | Himself | |
The Tonight Show with Jay Leno | 1994 | TV Series | Himself |
Le divan | 1993 | TV Series documentary | Himself |
Jean Renoir: Part One - From La Belle Époque to World War II | 1993 | TV Movie documentary | Himself |
Jean Renoir: Part Two - Hollywood and Beyond | 1993 | TV Movie documentary | |
Writing with Light: Vittorio Storaro | 1992 | Documentary | Himself |
De domeinen Ditvoorst | 1992 | Documentary | |
Picture of Europe | 1990 | TV Movie documentary | |
The Late Show | 1989 | TV Series documentary | Himself - Interviewee |
The 1988 European Film Awards | 1988 | TV Special | Himself |
The 60th Annual Academy Awards | 1988 | TV Special | Himself - Winner: Best Director & Best Adapted Screenplay |
The 45th Annual Golden Globe Awards | 1988 | TV Special | Himself - Winner: Best Director & Best Screenplay |
Treffpunkt Kino | 1986 | TV Series documentary | Himself |
Bellissimo: Immagini del cinema italiano | 1985 | Documentary | |
Cartoline dalla Cina | 1985 | TV Short documentary | Narrator (voice) |
Wie de Waarheid Zegt Moet Dood | 1981 | Documentary | Himself |
A fondo | 1977 | TV Series | Himself |
Arena | 1977 | TV Series documentary | Himself |
Apropos Film | 1973-1976 | TV Series documentary | Himself |
Les rendez-vous du dimanche | 1976 | TV Series | Himself |
Bertolucci secondo il cinema | 1976 | TV Movie documentary | |
Bernardo Bertolucci | 1971 | TV Movie documentary | Himself |
Fellini in città ovvero Frammenti di una conversazione su Federico Fellini | 1968 | Documentary short | Himself |
Cinéastes de notre temps | 1966-1967 | TV Series documentary | Himself |
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
Sassi nello stagno | 2016 | Documentary | |
Listen to Me Marlon | 2015 | Documentary | Himself (uncredited) |
Dai nostri inviati: La Rai racconta la Mostra del cinema 1968-1979 | 2011 | TV Movie documentary | Himself |
Pupi Avati, ieri, oggi, domani | 2010 | ||
Cinema mil | 2005 | TV Series | Himself |
Épreuves d'artistes | 2004 | TV Movie documentary | Himself |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2013 | EuroCinema Hawai'i Award | Hawaii International Film Festival | Best Director | Io e te (2012) |
2013 | Silver Ribbon of the Year | Italian National Syndicate of Film Journalists | Io e te (2012) | |
2013 | Audience and SNGCI Award | Kineo Awards, Italy | Io e te (2012) | |
2013 | Star on the Walk of Fame | Walk of Fame | Motion Picture | On November 19, 2013. At 6925 Hollywood Blvd. |
2012 | Life Achievement Award | European Film Awards | ||
2011 | Honorary Golden Palm | Cannes Film Festival | ||
2008 | Star on the Walk of Fame | Walk of Fame | Motion Picture | Awarded on February 19, 2008 at 6901 Hollywood Blvd. |
2007 | Career Golden Lion | Venice Film Festival | ||
2000 | Career Golden Globe | Golden Globes, Italy | ||
1998 | BFI Fellowship | British Film Institute Awards | ||
1998 | Freedom of Expression Award | National Board of Review, USA | The Last Emperor (1987) | |
1997 | Special Award | Camerimage | Film Direction with a Special Visual Sensitivity | |
1997 | Special Award | Camerimage | Best Duo: Director - Cinematographer | |
1997 | Leopard of Honor | Locarno International Film Festival | ||
1997 | Pietro Bianchi Award | Venice Film Festival | ||
1994 | Golden Camera | Golden Camera, Germany | Film - International | Little Buddha (1993) |
1989 | BAFTA Film Award | BAFTA Awards | Best Film | The Last Emperor (1987) |
1989 | Guild Film Award - Gold | Guild of German Art House Cinemas | Foreign Film (Ausländischer Film) | The Last Emperor (1987) |
1989 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film | The Last Emperor (1987) |
1989 | Audience Award | SESC Film Festival, Brazil | Best Foreign Film (Melhor Filme Estrangeiro) | The Last Emperor (1987) |
1988 | Oscar | Academy Awards, USA | Best Director | The Last Emperor (1987) |
1988 | Oscar | Academy Awards, USA | Best Writing, Screenplay Based on Material from Another Medium | The Last Emperor (1987) |
1988 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | The Last Emperor (1987) |
1988 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | The Last Emperor (1987) |
1988 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | The Last Emperor (1987) |
1988 | David | David di Donatello Awards | Best Director (Migliore Regista) | The Last Emperor (1987) |
1988 | David | David di Donatello Awards | Best Screenplay (Migliore Sceneggiatura) | The Last Emperor (1987) |
1988 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | The Last Emperor (1987) |
1988 | Special Prize of the Jury | European Film Awards | The Last Emperor (1987) | |
1988 | Hochi Film Award | Hochi Film Awards | Best Foreign Language Film | The Last Emperor (1987) |
1988 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | The Last Emperor (1987) |
1988 | Audience Award | Sant Jordi Awards | Best Foreign Film (Mejor Película Extranjera) | The Last Emperor (1987) |
1977 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | Novecento (1976) |
1973 | Golden Goblet | Golden Goblets, Italy | Best Director (Migliore Regista) | Ultimo tango a Parigi (1972) |
1973 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Ultimo tango a Parigi (1972) |
1971 | Golden Goblet | Golden Goblets, Italy | Best Director (Migliore Regista) | Il conformista (1970) |
1971 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | Il conformista (1970) |
1970 | Interfilm Award - Recommendation | Berlin International Film Festival | Il conformista (1970) | |
1970 | Journalists' Special Award | Berlin International Film Festival | Il conformista (1970) | |
1970 | Sutherland Trophy | British Film Institute Awards | Il conformista (1970) |
Nominated Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2013 | David | David di Donatello Awards | Best Film (Miglior Film) | Io e te (2012) |
2013 | David | David di Donatello Awards | Best Director (Migliore Regista) | Io e te (2012) |
2013 | David | David di Donatello Awards | Best Screenplay (Migliore Sceneggiatura) | Io e te (2012) |
2013 | Golden Globe | Golden Globes, Italy | Best Screenplay (Migliore Sceneggiatura) | Io e te (2012) |
2013 | EuroCinema Hawai'i Award | Hawaii International Film Festival | Best Film | Io e te (2012) |
2013 | Golden Arena | Pula Film Festival | International Competition: Best Film | Io e te (2012) |
2004 | Audience Award | European Film Awards | Best Director | The Dreamers (2003) |
2004 | Golden Globe | Golden Globes, Italy | Best Director (Migliore Regista) | The Dreamers (2003) |
2004 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | The Dreamers (2003) |
1997 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | Stealing Beauty (1996) |
1996 | Palme d'Or | Cannes Film Festival | Stealing Beauty (1996) | |
1996 | David | David di Donatello Awards | Best Director (Migliore Regista) | Stealing Beauty (1996) |
1991 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | The Sheltering Sky (1990) |
1991 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Director (Regista del Miglior Film) | The Sheltering Sky (1990) |
1989 | BAFTA Film Award | BAFTA Awards | Best Direction | The Last Emperor (1987) |
1988 | WGA Award (Screen) | Writers Guild of America, USA | Best Screenplay Written Directly for the Screen | The Last Emperor (1987) |
1981 | Palme d'Or | Cannes Film Festival | La tragedia di un uomo ridicolo (1981) | |
1974 | Oscar | Academy Awards, USA | Best Director | Ultimo tango a Parigi (1972) |
1974 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | Ultimo tango a Parigi (1972) |
1974 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | Ultimo tango a Parigi (1972) |
1972 | Oscar | Academy Awards, USA | Best Writing, Screenplay Based on Material from Another Medium | Il conformista (1970) |
1970 | Golden Berlin Bear | Berlin International Film Festival | Il conformista (1970) | |
1969 | Golden Berlin Bear | Berlin International Film Festival | Amore e rabbia (1969) | |
1968 | Golden Lion | Venice Film Festival | Partner. (1968) |
2nd Place Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1990 | NYFCC Award | New York Film Critics Circle Awards | Best Director | The Sheltering Sky (1990) |
3rd Place Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1971 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Il conformista (1970) |