Actresses

Isabelle Huppert Net Worth

Isabelle Huppert Net Worth 2019: Wiki Biography, Married, Family, Measurements, Height, Salary, Relationships

Isabelle Ann Huppert net worth is
$40 Million

Isabelle Ann Huppert Wiki/Biography

Isabelle Anne Madeleine Huppert (French pronunciation: ​[izabɛl yˈpɛʁ]; born 16 March 1953) is a French actress of stage and screen who has appeared in more than 90 film and television productions since 1971. She is the most nominated actress for the César Award, with 14 nominations.Huppert began her career on stage and appeared in her first film in 1972. She received her first César Award nomination for the 1975 film Aloïse. She won the BAFTA Award for Most Promising Newcomer for the 1977 film The Lacemaker and the César Award for Best Actress for the 1995 film La Cérémonie. She has also twice won Best Actress at both the Cannes Film Festival and the Venice Film Festival. At Cannes, she won for Violette Noziere (1978) and La Pianiste (2001), while at Venice, she won for Story of Women (1988) and La Cérémonie (1995). Her other films include Loulou (1980), La Séparation (1994), 8 Women (2002), Gabrielle (2005) and Amour (2012). She has also done some English-language film projects such as Michael Cimino's Heaven's Gate (1980), David O. Russell's I Heart Huckabees (2004) and Ned Benson's The Disappearance of Eleanor Rigby (2013).For her stage work in France, Huppert is a five-time Molière Award nominee. She made her London stage debut in 1996 in the title role of the play Mary Stuart, and her New York stage debut in a 2005 production of 4:48 Psychosis. In 2014, she returned to the New York stage to star opposite Cate Blanchett in a Sydney Theatre Company production of The Maids, at the New York City Center theatre. She was made a Chevalier of the Legion d'honneur in 1999 and was promoted to officer in 2009.



Full NameIsabelle Huppert
Net Worth$40 Million
Date Of BirthMarch 16, 1953
Place Of BirthParis, France
Height5' 3" (1.6 m)
ProfessionActress, Soundtrack, Producer
EducationNational Conservatory of Dramatic Arts
NationalityFrench, Italian
SpouseRonald Chammah
ChildrenLolita Chammah, Lorenzo Chammah, Angelo Chammah
ParentsAnnick Beau, Raymond Huppert
SiblingsElisabeth Huppert, Caroline Huppert, Rémi Huppert, Jacqueline Huppert
IMDBhttp://www.imdb.com/name/nm0001376
AwardsCésar Award for Best Actress, Cannes Best Actress Award, European Film Award for Best Actress, Volpi Cup for Best Actress, European Film Academy Achievement in World Cinema Award, David di Donatello for Best Foreign Actress, Silver Bear for Outstanding Artistic Achievement, New York Film Critics Ci...
NominationsCésar Award for Best Supporting Actress, Golden Globe Award for Best Actress – Motion Picture – Drama, Molière Award for Best Actress, Molière Award for Best Actress in a Public Theatre Show, Critics' Choice Movie Award for Best Actress, Independent Spirit Award for Best Female Lead, National...
MoviesElle, Things to Come, The Piano Teacher, Louder Than Bombs, Valley of Love, Violette Nozière, Heaven's Gate, Love, 8 Women, Going Places, Macadam Stories, Madame Bovary, Loulou, A Judgement in Stone, The Lacemaker, My Little Princess, Abuse of Weakness, In Another Country, The Nun, Ma Mère, Story ...
#Trademark
1Often works with female directors
2Often appears in the movies of Michael Haneke and Claude Chabrol
TitleSalary
Les soeurs fâchées (2004)€220,000
Madame Bovary (1991)FRF1,800,000
#Quote
1[on working with new directors] Oh, it's just a bet I take, and I've rarely been wrong. All the directors whose debut features I've made in the past seven, eight years have turned out to be real film-makers - I have a good intuition. [2016]
2[on Elle (2016)] The film is really rich, very surprising and enigmatic. It's elusive. It's not a genre movie, but it's not a non-genre movie either - it floats somewhere between Chabrol and Hitchcock, but it's still a thousand per cent Verhoeven. There's also a sociological dimension. It's about a very contemporary woman, not a victim, but someone who bears up - only you don't see her bearing up. Things just happen to her and she lives through them, without complaining. You can't say she's a victim, or a heroine, or a woman of power - although she is a woman of power. All those categories distract us from reality, in a way. [2016]
3In a close-up, a flicker of the eyelids is a major event. [2016]
4Most of my characters are very, very ordinary women. Chabrol only ever cast me as fairly ordinary characters - they just have rather particular destinies. [2016]
5[on how much of herself does she incorporate into her roles] A role is more like a trace rather than an imprint. When I act, I am at the same time myself and the self behind the mask of fiction. From the very beginning, and still to this day, I played many characters like survivors and victims, and I always felt they were essential to those films, female leads not in the shadow of men, and central to the overall story. That was my feminism.
6[on working with French New Wave filmmaker Claude Chabrol, and avant-garde theater director Robert Wilson] - I always felt like a butterfly caught in a net with Claude, but it was comfortable to have that feeling of being locked in his net, which was his camera. You could fly, but at the same time you had limitations, and that's what an actor seeks, that kind of freedom and limitation. That's what one usually gets from good directors. Robert's staging is extremely precise, almost mathematical, so as an actor your imagination flies high, there are no limitations on how you want to create the characters; you go wherever you want to go with him, but ultimately you also go wherever he wants you to.
7[on if there's a role that epitomizes her legacy] It's a combination of all my films. What is interesting is to see them all. I never think in terms of past, present, future. I feel exactly the same as when I first started - that artistic potential was already within me. I didn't have time to bring it all to the surface right away, but it was there all along. The roles I have done then I could do them now, and the roles I do now I could have done then. I don't feel I drastically changed in terms of talent, nor do I think my personality dramatically changed over the years. I don't think you can define what makes a good actress. You are either good or not. Growing up, I was free to do what I wanted to do. I had a classical education and a certain curiosity for things. You can come from anywhere, in terms of social background, and be who you want to be. There is no explanation to why you become an actor - that desire springs out of nowhere.
8[on what it's like being a woman in the film industry in the early 21st century] I don't experience it as a battle. I do think it is more natural to be an actress than an actor, despite the common belief that it is easier for men. I think acting is more of a feminine frame of mind. For an actor it may be a battle - I don't mean financially but rather artistically - because the main quality required is a particular form of passivity and power, and I think it is more difficult for men to accept this type of control. It is easier for an actress to consent to that specific psychological state, which is innate to the profession. An actor, more often than an actress, will inherently want to take over the power in a heightened manner, because deep down he cannot accept what he is being asked.
9[on what still draws her to acting] Preparing a role is a mental process. You can sleep and still prepare a role; you think about it even when you don't think you are thinking about it. It's mainly the prospective of meeting a director, that's what attracts me most to my choices, that's what gives me the unique pleasure I get from doing what I do.
10[on why we need movies in our lives] That's a very good question. We need them because it is a different way to make our imagination travel. We can put poetry, intelligence, beauty in movies; it's a way of re-creating reality, which is important. If you only have reality, that's not enough. You need transformation of reality, you need painting, music, theater and cinema.
11A movie is a way to mingle and flow between cultures and civilizations. Movies give news from the countries where they are made on issues that preoccupy its people and stories from a director. At the end however, we remain a part of a universal language: the one of the cinema.
12[on Captive (2012)] For me, there was no character. That's the strength of the movie: just to be hostages and be defined by the reactions you have to the fear, the unnatural conditions, the evil that happens, but certainly not by what you are or what you were previously. Because, by definition, you are not anything anymore. You are forced info being anonymous, this loss of intimacy, this promiscuity. That's the life of a hostage, I believe.
13[on Claude Chabrol] Claude didn't film me as a woman object of desire, but like a daughter, always in a simple way, intimate, very sweet.
14My choice of roles while not entirely a choice - you have to select from what you are offered. If I seem detached or distant, it's because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, 'Well, at least this never happens to me.' I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
15Many people don't realize that it's in what you think are the limitations of a certain form that you can often find your own rhythm and space. I would never be able to do what I'm doing in a classical production, because in a classical staging, while you might think you're free, you're not. You're submitting to convention, to something totally arbitrary. In Claude Régy's production, it's the contrary: Because of the form, you can fly. I experienced this for the first time onstage with Bob Wilson. With him it's such a mathematical space, with such precise regulations, and yet I never felt so much myself.
16[on Funny Games (1997) and Austrian director Michael Haneke] I didn't want to do it. The film was fascinating, but for an actress, it's just incredibly hard to play. I regretted my decision later because it's a really great film. But at the time, I just didn't have the courage to play in it. Later, he offered me a role in The Piano Teacher (2001) partly, I suspect, as a challenge; he said to me: 'You'll see - it's worse than Funny Games !' I read the script and I thought it wasn't worse at all. But the scenario was in English, and perhaps there were some scenes I didn't really read properly.
17About her performance as Euripides's Medea on stage: If one does theatre, it's to show human beings. They're not gods. In Euripides, that's clear. He was an avant-garde writer. Medea is a little like a Hitchcock film. The gods have decided what everybody knows, that's to say, her children are going to be killed. The spectator's attention works just the same way as in Hitchcock. The suspense consists in learning how she's going to kill her children. But it's Medea who decides herself to kill the children and she isn't directed by the gods. So there's every reason to make her a human figure.
18It's just a desire to work. A desire and a need, like eating. An actress may see herself as more than a baker, but it's the same thing. I find it really hard to resist that desire. And it's true that that can result in some bad cakes - but that's never happened to me. I've never blushed at any of the films I've made. I've been very lucky.
19I never feel I am playing characters. I play certain states, certain ranges of emotions, certain feelings. The contours of a character are something very vague. Initially, when I read a script, I have certain pieces or images that come up to the surface. I guess the difference would be between abstract painting and figurative painting. An established character would be more like a figurative painting: you have to paint this room, you have to paint the curtains, and so on. I think it's more interesting to consider acting as non-figurative painting. As a canvas on to which you throw things. It can be a colour, it can be a rhythm, it can be music. And it's also a vision of yourself. When I read the script of Ma Mère, I thought it was very difficult to do. Because in principle it's a story about incest, even though it's much more than this. I hesitated a lot over whether I was going to do it, and I had this very fugitive impression of the role - for me it was like a flame. I saw this woman as a little bit of fire, being very unstable, rickety, not very steady on her feet. I had this vision of my body - sometimes that's enough.
20I have attempted to keep this constant link between the films and roles I choose to do and my own persona. That's why it's so difficult to choose what film to do, and the people I work with. It's like there is no division between doing a film and your own life. Making movies has so much to do with privacy, with intimacy. I think that in order to make a film I have to feel this potential, this possibility, of being private - more private and intimate than at home. It's not a public matter for me, being an actress - it's a really private matter. Most of the time that's what cinema is. It's public, it's private, and that's why movies create such an emotional impact. It's also very pragmatic. It's just work we're talking about. The rest belongs to me.
21I don't think you work with Godard, you experience... Doing a movie with Godard - I have done two, which means I have spent almost two years with him - it's more like doing an incomparable experience. Just watching Godard - it's a gift for an actress to make films with him. When I say you don't work with Godard I mean that you don't go through any classical path where you build a character. With Godard it's degree zero - you don't do anything, it's a very strange feeling. And yet it is acting - it's very highly stylised and he's very directive. The reason is always very precise, there is never any improvisation. I think, finally, he manages to get everybody to talk like him. It's true! He always wants to close the sense at the end of a line. He closes the sense. It's very strange. You can't say, "I'm doing a Godard and I'm playing a prostitute," because Godard is so far away from any assembly of images you may have about that character. That's why he's a great director - more than a great director, a great thinker of cinema.
22I don't believe one ever plays characters, one plays states of mind. A character is completely meaningless to me. One goes through states of mind and tries to link them together.
23A great film is always a metaphor for the direction. A great director always says what he thinks of the cinema through his work, through a fictional story. It is always a reflection of what it is to be a director, what is a movie, what is an audience. It's always the same case. In the case of La Pianiste (The Piano Teacher), Michael Haneke talks about control and loss of control, and he was filming a woman who I felt was more identified with the situation of the director. This is a woman who controls her desire, exactly as a director controls his own desire and the audience's desire. In the film, the woman is not the object of desire, she is the one who wants to control her desire. That is why as a film - I'm not even talking about the story - as a film it is interesting because he has changed the status of an actress in a film. That is why the sexual scenes were easier for me to do because I am not set up in the usual situation of being an object of a man's desire, I am the one who controls the desire of the man. So I felt completely protected by this change of focus.
24I don't try to sympathise with my characters, I just try to empathise with them. To try to understand. If I sympathised with the characters I would make idealised, romantic characters out of them, which I don't do. I don't idealise them, I just do normal characters, not very sympathetic, but just the way they are. I think I do this in films that are made in the shape of a question, not in the shape of an answer. They just try to make a very open statement and it is down to anyone's subjectivity to find his own answer to that.
25I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way. I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything. To say, "I want to be an actress" is to say, "I can't do anything else, so let's try to be an actress.
26I think being actor is more difficult for men. The very best actors are not afraid of playing with their own femininity and leaving aside power struggles with the director. Because there's no getting around it: on a film set, it's the director who has the power. This fact is often more difficult to accept for an actor than for an actress.
27Body language in the cinema is thus very particular. The screen can transmit an image very different of the body. In life, we see each other by facing each other. In the cinema, one is astonished to discover oneself from another angle. But at the same time there is no obligation to look. Serge Daney used to say that the work of actors is the make movies, and the work of the spectator is to look at them.
28A script, even it differs from filmmaker to filmmaker, never tells the whole story; there are always elements that need to be invented. As soon as one decides to take a role after having read the script, the various elements begin to fall into place. A character begins to take shape. And regardless of whether the information given is ample or not, it appears to one, strangely, as an apparition. From that moment, one knows whether or not this figure will be able to pass through one; if there is a meeting point.
29Acting is a way of living out one's insanity.
#Fact
1In 2012, she starred in two films that competed for the Palme d'Or at the 2012 Cannes Film Festival; Amour (2012) and Da-reun na-ra-e-seo (2012).
2Her father was of Hungarian Jewish descent. Her mother was of French background.
3Michael Haneke is her favorite director to work with.
4She was Michael Haneke's first choice for the role of Anna in Funny Games (1997), but she declined the offer because she was scared to do it. The role went to Susanne Lothar instead.
5In 2012, 32 years after her American film debut in Heaven's Gate (1980), a newly restored director's cut was re-released to acclaim in New York City and Venice, just as Huppert was featured in the year's Oscar-winning foreign-language film Amour (2012).
6In the '70s, Huppert shared an apartment with Isabelle Adjani and the late actress Christine Pascal.
7Appointed the president of the jury for the 2009 Cannes Film Festival [January 2, 2009].
8Auditioned for the Holly Hunter role in The Piano (1993).
9Her stage performance as "Hedda Gabler" in Ibsen's play was critically acclaimed and awarded at the Mostra in Venice (2005).
10Is interested in photography.
11Born to Raymond Huppert, an engineer, and his wife Annick, an English teacher.
12Friend of Kim Cattrall.
13Graduated from the CNSAD (National Conservatory of Dramatic Art of Paris)
14Member of the jury at the Cannes Film Festival in 1984.
15During the shooting of 8 femmes (2002), Isabelle was always hungry at 5 P.M. and had to eat bread. As this made Danielle Darrieux also feel hungry, they shared their bread.
16Isabelle Huppert starred with her daughter Lolita Chammah in four films, Copacabana (2010), La vie moderne (2000), Malina (1991) and Story of Women (1988).
17Plays the piano.
18Has recorded an album with French singer/"rock star" Jean-Louis Murat called "Madame Deshoulières". They sing/recite lyrics taken from poems of nearly unknown 16th century writer Antoinette Deshoulières. (Album released in France by "Labels" on 26 March 2001.)
19Most nominated actress for the César Award. As of 2016, she has been nominated 15 times, and won once, for La Cérémonie (1995). She has 13 nominations for Best Actress and 2 nominations for Best Supporting Actress.
20She is the actress who has had the most films in the official competition of the Cannes Film Festival (18 films, as of 2016), and one of the four who have won the Best Interpretation Awards twice - for Violette (1978) in 1978 and The Piano Teacher (2001) in 2001 (the others are Vanessa Redgrave for Morgan! (1966) in 1966 and Isadora (1968) in 1968, Helen Mirren for Cal (1984) in 1984 and The Madness of King George (1994) in 1995, and Barbara Hershey for Shy People (1987) in 1987 and A World Apart (1988) in 1988).
21Mother of 3 children: Lolita Chammah (born in October 1983), Lorenzo (born in January 1986) and Angelo (born in August 1997), all fathered by Ronald Chammah, who directed her in Milan noir (1988).
22She is the youngest of five children, three sisters and a brother: director Caroline Huppert, actress/writer/director Elisabeth Huppert, Jacqueline and Rémi.
23Saw the French team's victory at the Stade de France in the final of XVI FIFA World Cup 1998 (1998) together with her son.
24Sister of Elisabeth Huppert.

Actress

TitleYearStatusCharacter
Barrage2017post-productionElisabeth
Marvin2017post-productionIsabelle
Happy End2017post-production
Madame Hyde2017filming
The Sleeping Shepherd2017pre-productionMarie
Untitled Hang Sang-soo Project2017post-production
Ce qui nous éloigne2016ShortIsabelle
Souvenir2016/ILiliane
Les fausses confidences2016TV MovieAraminte
Tout de suite maintenant2016Solveig
Elle2016/IMichèle Leblanc
L'avenir2016Nathalie Chazeaux
Valley of Love2015Isabelle (as Huppert)
Louder Than Bombs2015Isabelle
Asphalte2015Jeanne Meyer
La ritournelle2014Brigitte Lecanu
The Disappearance of Eleanor Rigby: Them2014Mary Rigby
Le tourbillon de Jeanne2013TV SeriesAude
The Disappearance of Eleanor Rigby: Her2013Mary Rigby
The Disappearance of Eleanor Rigby: Him2013Mary Rigby
Abus de faiblesse2013Maud Shainberg
Tip Top2013Esther Lafarge
Dead Man Down2013Valentine Louzon
Au bonheur des ogres2013L'éditrice (uncredited)
La religieuse2013Supérieure Saint-Eutrope
As Linhas de Torres Vedras2012TV Mini-SeriesCosima Pia
Linhas de Wellington2012Cosima Pia
Bella addormentata2012Divina Madre
Da-reun na-ra-e-seo2012Anne
Amour2012Eva
Captive2012/IThérèse Bourgoine
Dubaï Flamingo2012La chèvre (voice, uncredited)
Mon pire cauchemar2011Agathe Novic
My Little Princess2011Hanah Giurgiu
Sans queue ni tête2010Alice Bergerac
Law & Order: Special Victims Unit2010TV SeriesSophie Gerard
Copacabana2010Elisabeth Delmotte dite Babou
White Material2009Maria Vial
Villa Amalia2009Ann
Un barrage contre le Pacifique2008La mère
Home2008/IIMarthe
L'amore nascosto2007Danielle
Médée miracle2007Irène-Médée
Nue propriété2006Pascale
Comedy of Power2006Jeanne Charmant-Killman
Gabrielle2005Gabrielle Hervey
Les soeurs fâchées2004Martine Demouthy
I Heart Huckabees2004Caterine Vauban
Ma mère2004Hélène
Time of the Wolf2003Anne Laurent
La vie promise2002Sylvia
Deux2002Magdalena / Maria
8 femmes2002Augustine
The Piano Teacher2001Erika Kohut
Médée2001TV MovieMédée
Comédie de l'innocence2000Ariane
Merci pour le Chocolat2000Marie-Claire 'Mika' Muller
Les destinées2000Nathalie Barnery
Saint-Cyr2000Madame de Maintenon
La fausse suivante2000La comtesse
La vie moderne2000Claire
Keep It Quiet1999Agnès Jeancourt
The School of Flesh1998Dominique
The Swindle1997Elizabeth / Betty
Les palmes de M. Schutz1997Marie Curie
Elective Affinities1996Carlotta
Gulliver's Travels1996TV Mini-SeriesMistress
La Cérémonie1995Jeanne la postière
La séparation1994Anne
Amateur1994Isabelle
Navodneniye1993Sofia
Après l'amour1992Lola
Madame Bovary1991Emma Bovary
Malina1991Die Frau
La vengeance d'une femme1990Cécile
Seobe1989Dafina
Milan noir1988Sarah
Story of Women1988Marie
Les possédés1988Maria Sjatov
The Bedroom Window1987Sylvia Wentworth
Cactus1986Colo
Sac de noeuds1985Rose-Marie Martin - la femme maltraitée d'un flic violent
Sincerely Charlotte1985Charlotte
La garce1984Aline Kaminker / Édith Weber
My Best Friend's Girl1983Viviane
Entre Nous1983Lena Weber
Storia di Piera1983Piera
La Truite (The Trout)1982Frédérique
Godard's Passion1982Isabelle
Eaux profondes1981Melanie
Coup de torchon1981Rose Mercaillou
Les ailes de la colombe1981Marie
La storia vera della signora dalle camelie1981Alphonsine Plessis
Bande-annonce de 'Sauve qui peut (la vie)'1980Short
Heaven's Gate1980Ella Watson
Loulou1980Nelly
Örökség1980Irène
Every Man for Himself1980Isabelle Rivière
Les soeurs Brontë1979Anne Brontë
Retour1979Jeanne Kern
Il était un musicien1978TV SeriesLa jeune fille
Violette1978Violette Nozière
No Trifling with Love1977TV MovieCamille
Les indiens sont encore loin1977Jenny Kern
Des enfants gâtés1977La secrétaire du député (uncredited)
The Lacemaker1977Pomme
Je suis Pierre Rivière1976Aimée
Le petit Marcel1976Yvette
Le juge et l'assassin1976Rose
Docteur Françoise Gailland1976Élisabeth Gailland
Le grand délire1975Marie
Aloïse1975Aloïse jeune
Rosebud1975Helene
The Common Man1975Brigitte Colin
Sérieux comme le plaisir1975Une fille ramenée
L'ampélopède1974La conteuse
Plaies et bosses1974TV MoviePatsy Lackan
Madame Baptiste1974TV MovieBlanche
Going Places1974Jacqueline
Successive Slidings of Pleasure1974L'étudiante
Vogue la galère1973TV MovieClotilde
Le drakkar1973TV MovieYolande
Le maître de pension1973TV MovieAnnie
Histoire vraie1973TV MovieAdelaïde
Qui êtes-vous Monsieur Renaudot?1972TV MovieMarthe 13 ans
César and Rosalie1972Marite
Figaro-ci, Figaro-l1972TV MoviePauline
Le bar de la fourche1972Annie Smith
Faustine et le bel été1972Student #2
Les cent livres des hommes1971TV SeriesGilberte
Le prussien1971TV MovieElisabeth

Soundtrack

TitleYearStatusCharacter
Les soeurs fâchées2004performer: "Rue de Jollieres"
8 femmes2002performer: "Message personnel" Personal message
Sincerely Charlotte1985performer: "Souvenirs Chiffonnés"
Le juge et l'assassin1976performer: "La Commune Est En Lutte", "Promenade"

Producer

TitleYearStatusCharacter
Navodneniye1993associate producer

Miscellaneous

TitleYearStatusCharacter
Wanda1970presenter: Re-release 2003 in France

Thanks

TitleYearStatusCharacter
Henri Cartier-Bresson: The Impassioned Eye2003Documentary thanks
La cloche1998Short thanks
Le bassin de J.W.1997acknowledgment

Self

TitleYearStatusCharacter
Cinema 32016TV SeriesHerself - Interviewee
Verhoeven Versus Verhoeven2016DocumentaryHerself - Actress
Rencontres de cinéma2010-2016TV SeriesHerself
Close Encounters with Vilmos Zsigmond2016DocumentaryHerself
C2013-2016TV SeriesHerself
Le grand journal de Canal+2009-2015TV Series documentaryHerself
A.M.P.A.S. Tribute Film: Jean Claude Carriere2014TV MovieHerself
Dior et Moi2014DocumentaryHerself (uncredited)
Balkan Spirit2013DocumentaryHerself
Michael H. Profession: Director2013DocumentaryHerself
Días de cine2009-2012TV SeriesHerself - Interviewee
Le petit journal2011TV SeriesHerself
20 heures le journal2000-2011TV SeriesHerself - Interviewee
Les enfants de la télé2011TV SeriesHerself
Mondo Lux - Die Bilderwelten des Werner Schroeter2011DocumentaryHerself
The 2009 European Film Awards2009TV SpecialHerself - Award Recipient
Mein Leben2009TV Series documentaryHerself
TV Festival Du Cannes 20092009TV MovieHerself
Le cinéma français est en voyage d'affaires2009TV Movie documentaryHerself
Ce soir (ou jamais!)2009TV SeriesHerself
La traversée du désir2009DocumentaryHerself
Europas Erbe - Die großen Dramatiker2008TV SeriesHerself
Empreintes2008TV Series documentaryHerself
La nuit des Césars1977-2006TV Series documentaryHerself / Herself - La présidente des Césars / Herself - César de la meilleure actrice
On ne peut pas plaire2006TV SeriesHerself
Først & sist2006TV SeriesHerself
Charlie Rose2005TV SeriesHerself - Guest
El Magacine2005TV SeriesHerself
La nit al dia2005TV SeriesHerself / Hedda Gabler
I Heart Huckabees: Production Surveillance2005Video documentary shortHerself
La semaine du cinéma2004TV SeriesHerself
Tout le monde en parle2004TV SeriesHerself
Comme au cinéma2000-2004TV Series documentaryHerself
20h10 pétantes2004TV SeriesHerself
Premio Donostia a Isabelle Huppert2003TV SpecialHerself - Honoree
Liebesversuche - Portrait Werner Schroeter2003TV Movie documentaryHerself
Henri Cartier-Bresson: The Impassioned Eye2003DocumentaryHerself
La case de l'oncle Doc2003TV Series documentaryHerself
Exclusif2002TV SeriesHerself
Ombre et lumière2001TV Series documentaryHerself
+ de cinéma2001TV Series documentary shortHerself
Bouillon de culture1991-2001TV Series documentaryHerself
Isabelle Huppert, une vie pour jouer2001TV Movie documentary
Vivement dimanche2000TV SeriesHerself - Main Guest
Vivement dimanche prochain2000TV SeriesHerself
Signé croisette1998TV SeriesHerself
Nulle part ailleurs1997TV SeriesHerself
Poussières d'amour - Abfallprodukte der Liebe1996DocumentaryInterviewer
Lumière et compagnie1995DocumentaryRécitante: Segment Abbas Kiarostami (voice)
Un siècle d'écrivains1995TV Series documentaryRécitante
A Film és... I.-XIV1995TV Series documentaryHerself (1995)
The 49th Annual Golden Globe Awards1992TV SpecialHerself
Contre l'oubli1991Herself (segment "Pour d'Archana Guha, Inde")
The 62nd Annual Academy Awards1990TV SpecialHerself - Presenter: Gordon E. Sawyer Award
The 47th Annual Golden Globe Awards1990TV SpecialHerself - Presenter
7 sur 71989TV SeriesHerself
La biennale di Venezia: 45ª Mostra internazionale del cinema1988TV MovieHerself
Cinéma cinémas1987TV Series documentaryHerself
Thierry Mugler1985DocumentaryHerself (Invalids Sequence)
Champs-Elysées1985TV SeriesHerself
Mardi cinéma1983-1985TV Series documentaryHerself
Ciné regards1978-1981TV Series documentaryHerself
Quelques remarques sur la réalisation et la production du film 'Sauve qui peut (la vie)'1979ShortHerself
Gala de l'union1978TV SeriesHerself
Numéro 11976-1978TV SeriesHerself
Monsieur Cinéma1978TV SeriesHerself
Les rendez-vous du dimanche1977TV SeriesHerself

Archive Footage

TitleYearStatusCharacter
Colpo di scena2014TV SeriesHerself
Dai nostri inviati: La Rai racconta la Mostra del cinema di Venezia 1980-19892013TV Movie documentaryHerself
Cinémas2010TV SeriesHerself
Cannes, 60 ans d'histoires2007TV Movie documentaryHerself
Danielle Darrieux, une vie de cinéma2007TV MovieHerself
Premio Donostia a Matt Dillon2006TV SpecialHerself
Premio Donostia a Max Von Sydow2006TV SpecialHerself
Cinema mil2005TV SeriesBetty
French Beauty2005TV Movie documentaryHerself
Final Cut: The Making and Unmaking of Heaven's Gate2004DocumentaryElla Watson
Les voleurs de la nuit1984'La Dame aux Camelias' (uncredited)

Won Awards

YearAwardCeremonyNominationMovie
2016ICS Cannes AwardInternational Cinephile Society AwardsGrand PrixElle (2016)
2016Honorary Lumiere AwardLumiere Awards, France
2014CineMerit AwardMunich Film Festival
2013Golden Camera 300 for Lifetime AchievementBrothers Manaki International Film Festival
2012Honorary Award of the FestivalMarrakech International Film Festival
2011Silver GatewayBombay International Film FestivalBest ActressMy Little Princess (2011)
2011BFI FellowshipBritish Film Institute Awards
2011Joseph Plateau Honorary AwardGhent International Film Festival
2011Honorary AwardIstanbul International Film Festival
2011Excellence AwardLocarno International Film Festival
2011Hand PrintingPusan International Film Festival
2011Lifetime Achievement AwardStockholm Film Festival
2010Best ActressCairo International Film FestivalCopacabana (2010)
2010João Bénard da Costa Special Jury AwardLisbon & Estoril Film FestivalCopacabana (2010)
2010Special Jury AwardPhiladelphia Film FestivalBest ActressCopacabana (2010)
2009Outstanding European Achievement in World CinemaEuropean Film Awards
2009European Silver RibbonItalian National Syndicate of Film JournalistsL'amore nascosto (2007)
2009Special Prize for Outstanding Contribution to World CinemaKarlovy Vary International Film Festival
2009Special Artistic Achievement AwardShanghai International Film Festival
2008Krzysztof Kieslowski AwardCamerimage
2008Best ActressMar del Plata Film FestivalHome (2008)
2008Grand Prix Special des AmériquesMontréal World Film Festival
2008Stanislavsky PrizeMoscow International Film Festival
2008Coup de CoeurNamur International Festival of French-Speaking Film
2007Actor's Mission AwardArt Film Festival
2006Lumiere AwardLumiere Awards, FranceBest Actress (Meilleure comédienne)Gabrielle (2005)
2005Special Lion for the Overall WorkVenice Film Festival
2003Audience AwardChlotrudis AwardsBest Supporting Actress8 femmes (2002)
2003Chlotrudis AwardChlotrudis AwardsBest ActressLa pianiste (2001)
2003Career DavidDavid di Donatello Awards
2003Douglas Sirk AwardHamburg Film Festival
2003Donostia Lifetime Achievement AwardSan Sebastián International Film Festival
2003Critics AwardSESC Film Festival, BrazilBest Foreign Actress (Melhor Atriz Estrangeira)La pianiste (2001)
2003Audience AwardSESC Film Festival, BrazilBest Foreign Actress (Melhor Atriz Estrangeira)La pianiste (2001)
2003Étoile d'OrÉtoiles d'Or, FranceBest Actress (Meilleure actrice)8 femmes (2002)
2002Silver Berlin BearBerlin International Film FestivalOutstanding Artistic Achievement8 femmes (2002)
2002European Film AwardEuropean Film AwardsEuropean Actress8 femmes (2002)
2002Golden ArenaPula Film FestivalBest Actress - Foreign FilmLa pianiste (2001)
2002Golden AriesRussian Guild of Film CriticsBest Foreign Actress8 femmes (2002)
2002Special AwardSan Diego Film Critics Society AwardsLes destinées sentimentales (2000)
2002SFFCC AwardSan Francisco Film Critics CircleBest ActressLa pianiste (2001)
2002Golden Space Needle AwardSeattle International Film FestivalBest ActressLa pianiste (2001)
2002Taormina Arte AwardTaormina International Film Festival
2001Best ActressCannes Film FestivalLa pianiste (2001)
2001European Film AwardEuropean Film AwardsEuropean ActressLa pianiste (2001)
2001European Actors AwardFilmfest Ludwigsburg
2001Lumiere AwardLumiere Awards, FranceBest Actress (Meilleure comédienne)Merci pour le chocolat (2000)
2001Golden AriesRussian Guild of Film CriticsBest Foreign ActressLa pianiste (2001)
2001Platinum Award for Cinematic ExcellenceViareggio EuropaCinema
2000Best ActressMontréal World Film FestivalMerci pour le chocolat (2000)
1996CésarCésar Awards, FranceBest Actress (Meilleure actrice)La cérémonie (1995)
1996Lumiere AwardLumiere Awards, FranceBest Actress (Meilleure actrice)La cérémonie (1995)
1995Volpi CupVenice Film FestivalBest ActressLa cérémonie (1995)
1995Pasinetti AwardVenice Film FestivalBest ActressLa cérémonie (1995)
1991Film Award in GoldGerman Film AwardsBest Performance by an Actress in a Leading Role (Beste darstellerische Leistung - Weibliche Hauptrolle)Malina (1991)
1991Silver St. GeorgeMoscow International Film FestivalBest ActressMadame Bovary (1991)
1990Sant JordiSant Jordi AwardsBest Foreign Actress (Mejor Actriz Extranjera)Une affaire de femmes (1988)
1989Golden Precolumbian CircleBogota Film FestivalBest ActressUne affaire de femmes (1988)
1988Best ActressValladolid International Film FestivalUne affaire de femmes (1988)
1988Volpi CupVenice Film FestivalBest ActressUne affaire de femmes (1988)
1986Silver Medallion AwardTelluride Film Festival, US
1980DavidDavid di Donatello AwardsBest Foreign Actress (Migliore Attrice Straniera)La dentellière (1977)
1978BAFTA Film AwardBAFTA AwardsMost Promising Newcomer to Leading Film RolesLa dentellière (1977)
1978Best ActressCannes Film FestivalViolette Nozière (1978)
1976Suzanne Bianchetti AwardSACD Awards

Nominated Awards

YearAwardCeremonyNominationMovie
2016CésarCésar Awards, FranceBest Actress (Meilleure actrice)Valley of Love (2015)
2016Gotham Independent Film AwardGotham AwardsBest ActressElle (2016)
2016Lumiere AwardLumiere Awards, FranceBest Actress (Meilleure actrice)Valley of Love (2015)
2014VVFP AwardVillage Voice Film PollBest ActressAbus de faiblesse (2013)
2013CésarCésar Awards, FranceBest Supporting Actress (Meilleure actrice dans un second rôle)Amour (2012)
2013ALFS AwardLondon Critics Circle Film AwardsSupporting Actress of the YearAmour (2012)
2012VVFP AwardVillage Voice Film PollBest Supporting ActressAmour (2012)
2010ICP AwardIndiewire Critics' PollBest Lead PerformanceWhite Material (2009)
2010VVFP AwardVillage Voice Film PollBest ActressWhite Material (2009)
2007Lumiere AwardLumiere Awards, FranceBest Actress (Meilleure comédienne)L'ivresse du pouvoir (2006)
2006CésarCésar Awards, FranceBest Actress (Meilleure actrice)Gabrielle (2005)
2004Audience AwardEuropean Film AwardsBest European ActressMa mère (2004)
2003Chlotrudis AwardChlotrudis AwardsBest Supporting Actress8 femmes (2002)
2003CésarCésar Awards, FranceBest Actress (Meilleure actrice)8 femmes (2002)
2003DFWFCA AwardDallas-Fort Worth Film Critics Association AwardsBest ActressLa pianiste (2001)
2003OFCS AwardOnline Film Critics Society AwardsBest ActressLa pianiste (2001)
2002CésarCésar Awards, FranceBest Actress (Meilleure actrice)La pianiste (2001)
2002Audience AwardEuropean Film AwardsBest European Actress8 femmes (2002)
2002TFCA AwardToronto Film Critics Association AwardsBest Performance, FemaleLa pianiste (2001)
2001CésarCésar Awards, FranceBest Actress (Meilleure actrice)Saint-Cyr (2000)
1999CésarCésar Awards, FranceBest Actress (Meilleure actrice)L'école de la chair (1998)
1995CésarCésar Awards, FranceBest Actress (Meilleure actrice)La séparation (1994)
1989CésarCésar Awards, FranceBest Actress (Meilleure actrice)Une affaire de femmes (1988)
1989DavidDavid di Donatello AwardsBest Foreign Actress (Migliore Attrice Straniera)Une affaire de femmes (1988)
1982CésarCésar Awards, FranceBest Actress (Meilleure actrice)Coup de torchon (1981)
1981CésarCésar Awards, FranceBest Actress (Meilleure actrice)Loulou (1980)
1979CésarCésar Awards, FranceBest Actress (Meilleure actrice)Violette Nozière (1978)
1978CésarCésar Awards, FranceBest Actress (Meilleure actrice)La dentellière (1977)
1976CésarCésar Awards, FranceBest Supporting Actress (Meilleure actrice dans un second rôle)Aloïse (1975)

2nd Place Awards

YearAwardCeremonyNominationMovie
2003NSFC AwardNational Society of Film Critics Awards, USABest ActressLa pianiste (2001)
2002LAFCA AwardLos Angeles Film Critics Association AwardsBest ActressLa pianiste (2001)

3rd Place Awards

YearAwardCeremonyNominationMovie
2002NYFCC AwardNew York Film Critics Circle AwardsBest ActressLa pianiste (2001)
2002VVFP AwardVillage Voice Film PollBest PerformanceLa pianiste (2001)

Known for movies

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