Actresses

Isabelle Huppert Net Worth

Isabelle Huppert Net Worth 2020: Wiki Biography, Married, Family, Measurements, Height, Salary, Relationships

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Isabelle Ann Huppert net worth is
$40 Million

Isabelle Ann Huppert Wiki Biography

Isabelle Anne Madeleine Huppert (French pronunciation: [izabɛl yˈpɛʁ]; born 16 March 1953) is a French actress of stage and screen who has appeared in more than 90 film and television productions since 1971. She is the most nominated actress for the César Award, with 14 nominations.Huppert began her career on stage and appeared in her first film in 1972. She received her first César Award nomination for the 1975 film Aloïse. She won the BAFTA Award for Most Promising Newcomer for the 1977 film The Lacemaker and the César Award for Best Actress for the 1995 film La Cérémonie. She has also twice won Best Actress at both the Cannes Film Festival and the Venice Film Festival. At Cannes, she won for Violette Noziere (1978) and La Pianiste (2001), while at Venice, she won for Story of Women (1988) and La Cérémonie (1995). Her other films include Loulou (1980), La Séparation (1994), 8 Women (2002), Gabrielle (2005) and Amour (2012). She has also done some English-language film projects such as Michael Cimino's Heaven's Gate (1980), David O. Russell's I Heart Huckabees (2004) and Ned Benson's The Disappearance of Eleanor Rigby (2013).For her stage work in France, Huppert is a five-time Molière Award nominee. She made her London stage debut in 1996 in the title role of the play Mary Stuart, and her New York stage debut in a 2005 production of 4:48 Psychosis. In 2014, she returned to the New York stage to star opposite Cate Blanchett in a Sydney Theatre Company production of The Maids, at the New York City Center theatre. She was made a Chevalier of the Legion d'honneur in 1999 and was promoted to officer in 2009.

Full Name	Isabelle Huppert
Net Worth	$40 Million
Date Of Birth	March 16, 1953
Place Of Birth	Paris, France
Height	5' 3" (1.6 m)
Profession	Actress, Soundtrack, Producer
Education	National Conservatory of Dramatic Arts
Nationality	French, Italian
Spouse	Ronald Chammah
Children	Lolita Chammah, Lorenzo Chammah, Angelo Chammah
Parents	Annick Beau, Raymond Huppert
Siblings	Elisabeth Huppert, Caroline Huppert, Rémi Huppert, Jacqueline Huppert
IMDB	http://www.imdb.com/name/nm0001376
Awards	César Award for Best Actress, Cannes Best Actress Award, European Film Award for Best Actress, Volpi Cup for Best Actress, European Film Academy Achievement in World Cinema Award, David di Donatello for Best Foreign Actress, Silver Bear for Outstanding Artistic Achievement, New York Film Critics Ci...
Nominations	César Award for Best Supporting Actress, Golden Globe Award for Best Actress – Motion Picture – Drama, Molière Award for Best Actress, Molière Award for Best Actress in a Public Theatre Show, Critics' Choice Movie Award for Best Actress, Independent Spirit Award for Best Female Lead, National...
Movies	Elle, Things to Come, The Piano Teacher, Louder Than Bombs, Valley of Love, Violette Nozière, Heaven's Gate, Love, 8 Women, Going Places, Macadam Stories, Madame Bovary, Loulou, A Judgement in Stone, The Lacemaker, My Little Princess, Abuse of Weakness, In Another Country, The Nun, Ma Mère, Story ...

#	Trademark
1	Often works with female directors
2	Often appears in the movies of Michael Haneke and Claude Chabrol

Title	Salary
Les soeurs fâchées (2004)	€220,000
Madame Bovary (1991)	FRF1,800,000

#	Quote
1	[on working with new directors] Oh, it's just a bet I take, and I've rarely been wrong. All the directors whose debut features I've made in the past seven, eight years have turned out to be real film-makers - I have a good intuition. [2016]
2	[on Elle (2016)] The film is really rich, very surprising and enigmatic. It's elusive. It's not a genre movie, but it's not a non-genre movie either - it floats somewhere between Chabrol and Hitchcock, but it's still a thousand per cent Verhoeven. There's also a sociological dimension. It's about a very contemporary woman, not a victim, but someone who bears up - only you don't see her bearing up. Things just happen to her and she lives through them, without complaining. You can't say she's a victim, or a heroine, or a woman of power - although she is a woman of power. All those categories distract us from reality, in a way. [2016]
3	In a close-up, a flicker of the eyelids is a major event. [2016]
4	Most of my characters are very, very ordinary women. Chabrol only ever cast me as fairly ordinary characters - they just have rather particular destinies. [2016]
5	[on how much of herself does she incorporate into her roles] A role is more like a trace rather than an imprint. When I act, I am at the same time myself and the self behind the mask of fiction. From the very beginning, and still to this day, I played many characters like survivors and victims, and I always felt they were essential to those films, female leads not in the shadow of men, and central to the overall story. That was my feminism.
6	[on working with French New Wave filmmaker Claude Chabrol, and avant-garde theater director Robert Wilson] - I always felt like a butterfly caught in a net with Claude, but it was comfortable to have that feeling of being locked in his net, which was his camera. You could fly, but at the same time you had limitations, and that's what an actor seeks, that kind of freedom and limitation. That's what one usually gets from good directors. Robert's staging is extremely precise, almost mathematical, so as an actor your imagination flies high, there are no limitations on how you want to create the characters; you go wherever you want to go with him, but ultimately you also go wherever he wants you to.
7	[on if there's a role that epitomizes her legacy] It's a combination of all my films. What is interesting is to see them all. I never think in terms of past, present, future. I feel exactly the same as when I first started - that artistic potential was already within me. I didn't have time to bring it all to the surface right away, but it was there all along. The roles I have done then I could do them now, and the roles I do now I could have done then. I don't feel I drastically changed in terms of talent, nor do I think my personality dramatically changed over the years. I don't think you can define what makes a good actress. You are either good or not. Growing up, I was free to do what I wanted to do. I had a classical education and a certain curiosity for things. You can come from anywhere, in terms of social background, and be who you want to be. There is no explanation to why you become an actor - that desire springs out of nowhere.
8	[on what it's like being a woman in the film industry in the early 21st century] I don't experience it as a battle. I do think it is more natural to be an actress than an actor, despite the common belief that it is easier for men. I think acting is more of a feminine frame of mind. For an actor it may be a battle - I don't mean financially but rather artistically - because the main quality required is a particular form of passivity and power, and I think it is more difficult for men to accept this type of control. It is easier for an actress to consent to that specific psychological state, which is innate to the profession. An actor, more often than an actress, will inherently want to take over the power in a heightened manner, because deep down he cannot accept what he is being asked.
9	[on what still draws her to acting] Preparing a role is a mental process. You can sleep and still prepare a role; you think about it even when you don't think you are thinking about it. It's mainly the prospective of meeting a director, that's what attracts me most to my choices, that's what gives me the unique pleasure I get from doing what I do.
10	[on why we need movies in our lives] That's a very good question. We need them because it is a different way to make our imagination travel. We can put poetry, intelligence, beauty in movies; it's a way of re-creating reality, which is important. If you only have reality, that's not enough. You need transformation of reality, you need painting, music, theater and cinema.
11	A movie is a way to mingle and flow between cultures and civilizations. Movies give news from the countries where they are made on issues that preoccupy its people and stories from a director. At the end however, we remain a part of a universal language: the one of the cinema.
12	[on Captive (2012)] For me, there was no character. That's the strength of the movie: just to be hostages and be defined by the reactions you have to the fear, the unnatural conditions, the evil that happens, but certainly not by what you are or what you were previously. Because, by definition, you are not anything anymore. You are forced info being anonymous, this loss of intimacy, this promiscuity. That's the life of a hostage, I believe.
13	[on Claude Chabrol] Claude didn't film me as a woman object of desire, but like a daughter, always in a simple way, intimate, very sweet.
14	My choice of roles while not entirely a choice - you have to select from what you are offered. If I seem detached or distant, it's because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, 'Well, at least this never happens to me.' I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
15	Many people don't realize that it's in what you think are the limitations of a certain form that you can often find your own rhythm and space. I would never be able to do what I'm doing in a classical production, because in a classical staging, while you might think you're free, you're not. You're submitting to convention, to something totally arbitrary. In Claude Régy's production, it's the contrary: Because of the form, you can fly. I experienced this for the first time onstage with Bob Wilson. With him it's such a mathematical space, with such precise regulations, and yet I never felt so much myself.
16	[on Funny Games (1997) and Austrian director Michael Haneke] I didn't want to do it. The film was fascinating, but for an actress, it's just incredibly hard to play. I regretted my decision later because it's a really great film. But at the time, I just didn't have the courage to play in it. Later, he offered me a role in The Piano Teacher (2001) partly, I suspect, as a challenge; he said to me: 'You'll see - it's worse than Funny Games !' I read the script and I thought it wasn't worse at all. But the scenario was in English, and perhaps there were some scenes I didn't really read properly.
17	About her performance as Euripides's Medea on stage: If one does theatre, it's to show human beings. They're not gods. In Euripides, that's clear. He was an avant-garde writer. Medea is a little like a Hitchcock film. The gods have decided what everybody knows, that's to say, her children are going to be killed. The spectator's attention works just the same way as in Hitchcock. The suspense consists in learning how she's going to kill her children. But it's Medea who decides herself to kill the children and she isn't directed by the gods. So there's every reason to make her a human figure.
18	It's just a desire to work. A desire and a need, like eating. An actress may see herself as more than a baker, but it's the same thing. I find it really hard to resist that desire. And it's true that that can result in some bad cakes - but that's never happened to me. I've never blushed at any of the films I've made. I've been very lucky.
19	I never feel I am playing characters. I play certain states, certain ranges of emotions, certain feelings. The contours of a character are something very vague. Initially, when I read a script, I have certain pieces or images that come up to the surface. I guess the difference would be between abstract painting and figurative painting. An established character would be more like a figurative painting: you have to paint this room, you have to paint the curtains, and so on. I think it's more interesting to consider acting as non-figurative painting. As a canvas on to which you throw things. It can be a colour, it can be a rhythm, it can be music. And it's also a vision of yourself. When I read the script of Ma Mère, I thought it was very difficult to do. Because in principle it's a story about incest, even though it's much more than this. I hesitated a lot over whether I was going to do it, and I had this very fugitive impression of the role - for me it was like a flame. I saw this woman as a little bit of fire, being very unstable, rickety, not very steady on her feet. I had this vision of my body - sometimes that's enough.
20	I have attempted to keep this constant link between the films and roles I choose to do and my own persona. That's why it's so difficult to choose what film to do, and the people I work with. It's like there is no division between doing a film and your own life. Making movies has so much to do with privacy, with intimacy. I think that in order to make a film I have to feel this potential, this possibility, of being private - more private and intimate than at home. It's not a public matter for me, being an actress - it's a really private matter. Most of the time that's what cinema is. It's public, it's private, and that's why movies create such an emotional impact. It's also very pragmatic. It's just work we're talking about. The rest belongs to me.
21	I don't think you work with Godard, you experience... Doing a movie with Godard - I have done two, which means I have spent almost two years with him - it's more like doing an incomparable experience. Just watching Godard - it's a gift for an actress to make films with him. When I say you don't work with Godard I mean that you don't go through any classical path where you build a character. With Godard it's degree zero - you don't do anything, it's a very strange feeling. And yet it is acting - it's very highly stylised and he's very directive. The reason is always very precise, there is never any improvisation. I think, finally, he manages to get everybody to talk like him. It's true! He always wants to close the sense at the end of a line. He closes the sense. It's very strange. You can't say, "I'm doing a Godard and I'm playing a prostitute," because Godard is so far away from any assembly of images you may have about that character. That's why he's a great director - more than a great director, a great thinker of cinema.
22	I don't believe one ever plays characters, one plays states of mind. A character is completely meaningless to me. One goes through states of mind and tries to link them together.
23	A great film is always a metaphor for the direction. A great director always says what he thinks of the cinema through his work, through a fictional story. It is always a reflection of what it is to be a director, what is a movie, what is an audience. It's always the same case. In the case of La Pianiste (The Piano Teacher), Michael Haneke talks about control and loss of control, and he was filming a woman who I felt was more identified with the situation of the director. This is a woman who controls her desire, exactly as a director controls his own desire and the audience's desire. In the film, the woman is not the object of desire, she is the one who wants to control her desire. That is why as a film - I'm not even talking about the story - as a film it is interesting because he has changed the status of an actress in a film. That is why the sexual scenes were easier for me to do because I am not set up in the usual situation of being an object of a man's desire, I am the one who controls the desire of the man. So I felt completely protected by this change of focus.
24	I don't try to sympathise with my characters, I just try to empathise with them. To try to understand. If I sympathised with the characters I would make idealised, romantic characters out of them, which I don't do. I don't idealise them, I just do normal characters, not very sympathetic, but just the way they are. I think I do this in films that are made in the shape of a question, not in the shape of an answer. They just try to make a very open statement and it is down to anyone's subjectivity to find his own answer to that.
25	I don't know if you ever say to yourself that you want to be an actress. It eventually becomes a social function - you are an actress and you make a living out of it, but at the beginning it's more a matter of how to survive, or how to exist in a certain way. I think being an actress is more how to cope with the fact that you can't do anything else than to express a talent. It's a way of being untalented for anything. To say, "I want to be an actress" is to say, "I can't do anything else, so let's try to be an actress.
26	I think being actor is more difficult for men. The very best actors are not afraid of playing with their own femininity and leaving aside power struggles with the director. Because there's no getting around it: on a film set, it's the director who has the power. This fact is often more difficult to accept for an actor than for an actress.
27	Body language in the cinema is thus very particular. The screen can transmit an image very different of the body. In life, we see each other by facing each other. In the cinema, one is astonished to discover oneself from another angle. But at the same time there is no obligation to look. Serge Daney used to say that the work of actors is the make movies, and the work of the spectator is to look at them.
28	A script, even it differs from filmmaker to filmmaker, never tells the whole story; there are always elements that need to be invented. As soon as one decides to take a role after having read the script, the various elements begin to fall into place. A character begins to take shape. And regardless of whether the information given is ample or not, it appears to one, strangely, as an apparition. From that moment, one knows whether or not this figure will be able to pass through one; if there is a meeting point.
29	Acting is a way of living out one's insanity.

#	Fact
1	In 2012, she starred in two films that competed for the Palme d'Or at the 2012 Cannes Film Festival; Amour (2012) and Da-reun na-ra-e-seo (2012).
2	Her father was of Hungarian Jewish descent. Her mother was of French background.
3	Michael Haneke is her favorite director to work with.
4	She was Michael Haneke's first choice for the role of Anna in Funny Games (1997), but she declined the offer because she was scared to do it. The role went to Susanne Lothar instead.
5	In 2012, 32 years after her American film debut in Heaven's Gate (1980), a newly restored director's cut was re-released to acclaim in New York City and Venice, just as Huppert was featured in the year's Oscar-winning foreign-language film Amour (2012).
6	In the '70s, Huppert shared an apartment with Isabelle Adjani and the late actress Christine Pascal.
7	Appointed the president of the jury for the 2009 Cannes Film Festival [January 2, 2009].
8	Auditioned for the Holly Hunter role in The Piano (1993).
9	Her stage performance as "Hedda Gabler" in Ibsen's play was critically acclaimed and awarded at the Mostra in Venice (2005).
10	Is interested in photography.
11	Born to Raymond Huppert, an engineer, and his wife Annick, an English teacher.
12	Friend of Kim Cattrall.
13	Graduated from the CNSAD (National Conservatory of Dramatic Art of Paris)
14	Member of the jury at the Cannes Film Festival in 1984.
15	During the shooting of 8 femmes (2002), Isabelle was always hungry at 5 P.M. and had to eat bread. As this made Danielle Darrieux also feel hungry, they shared their bread.
16	Isabelle Huppert starred with her daughter Lolita Chammah in four films, Copacabana (2010), La vie moderne (2000), Malina (1991) and Story of Women (1988).
17	Plays the piano.
18	Has recorded an album with French singer/"rock star" Jean-Louis Murat called "Madame Deshoulières". They sing/recite lyrics taken from poems of nearly unknown 16th century writer Antoinette Deshoulières. (Album released in France by "Labels" on 26 March 2001.)
19	Most nominated actress for the César Award. As of 2016, she has been nominated 15 times, and won once, for La Cérémonie (1995). She has 13 nominations for Best Actress and 2 nominations for Best Supporting Actress.
20	She is the actress who has had the most films in the official competition of the Cannes Film Festival (18 films, as of 2016), and one of the four who have won the Best Interpretation Awards twice - for Violette (1978) in 1978 and The Piano Teacher (2001) in 2001 (the others are Vanessa Redgrave for Morgan! (1966) in 1966 and Isadora (1968) in 1968, Helen Mirren for Cal (1984) in 1984 and The Madness of King George (1994) in 1995, and Barbara Hershey for Shy People (1987) in 1987 and A World Apart (1988) in 1988).
21	Mother of 3 children: Lolita Chammah (born in October 1983), Lorenzo (born in January 1986) and Angelo (born in August 1997), all fathered by Ronald Chammah, who directed her in Milan noir (1988).
22	She is the youngest of five children, three sisters and a brother: director Caroline Huppert, actress/writer/director Elisabeth Huppert, Jacqueline and Rémi.
23	Saw the French team's victory at the Stade de France in the final of XVI FIFA World Cup 1998 (1998) together with her son.
24	Sister of Elisabeth Huppert.

All pictures

Actress

Title	Year	Status	Character
Barrage	2017	post-production	Elisabeth
Marvin	2017	post-production	Isabelle
Happy End	2017	post-production
Madame Hyde	2017	filming
The Sleeping Shepherd	2017	pre-production	Marie
Untitled Hang Sang-soo Project	2017	post-production
Ce qui nous éloigne	2016	Short	Isabelle
Souvenir	2016/I		Liliane
Les fausses confidences	2016	TV Movie	Araminte
Tout de suite maintenant	2016		Solveig
Elle	2016/I		Michèle Leblanc
L'avenir	2016		Nathalie Chazeaux
Valley of Love	2015		Isabelle (as Huppert)
Louder Than Bombs	2015		Isabelle
Asphalte	2015		Jeanne Meyer
La ritournelle	2014		Brigitte Lecanu
The Disappearance of Eleanor Rigby: Them	2014		Mary Rigby
Le tourbillon de Jeanne	2013	TV Series	Aude
The Disappearance of Eleanor Rigby: Her	2013		Mary Rigby
The Disappearance of Eleanor Rigby: Him	2013		Mary Rigby
Abus de faiblesse	2013		Maud Shainberg
Tip Top	2013		Esther Lafarge
Dead Man Down	2013		Valentine Louzon
Au bonheur des ogres	2013		L'éditrice (uncredited)
La religieuse	2013		Supérieure Saint-Eutrope
As Linhas de Torres Vedras	2012	TV Mini-Series	Cosima Pia
Linhas de Wellington	2012		Cosima Pia
Bella addormentata	2012		Divina Madre
Da-reun na-ra-e-seo	2012		Anne
Amour	2012		Eva
Captive	2012/I		Thérèse Bourgoine
Dubaï Flamingo	2012		La chèvre (voice, uncredited)
Mon pire cauchemar	2011		Agathe Novic
My Little Princess	2011		Hanah Giurgiu
Sans queue ni tête	2010		Alice Bergerac
Law & Order: Special Victims Unit	2010	TV Series	Sophie Gerard
Copacabana	2010		Elisabeth Delmotte dite Babou
White Material	2009		Maria Vial
Villa Amalia	2009		Ann
Un barrage contre le Pacifique	2008		La mère
Home	2008/II		Marthe
L'amore nascosto	2007		Danielle
Médée miracle	2007		Irène-Médée
Nue propriété	2006		Pascale
Comedy of Power	2006		Jeanne Charmant-Killman
Gabrielle	2005		Gabrielle Hervey
Les soeurs fâchées	2004		Martine Demouthy
I Heart Huckabees	2004		Caterine Vauban
Ma mère	2004		Hélène
Time of the Wolf	2003		Anne Laurent
La vie promise	2002		Sylvia
Deux	2002		Magdalena / Maria
8 femmes	2002		Augustine
The Piano Teacher	2001		Erika Kohut
Médée	2001	TV Movie	Médée
Comédie de l'innocence	2000		Ariane
Merci pour le Chocolat	2000		Marie-Claire 'Mika' Muller
Les destinées	2000		Nathalie Barnery
Saint-Cyr	2000		Madame de Maintenon
La fausse suivante	2000		La comtesse
La vie moderne	2000		Claire
Keep It Quiet	1999		Agnès Jeancourt
The School of Flesh	1998		Dominique
The Swindle	1997		Elizabeth / Betty
Les palmes de M. Schutz	1997		Marie Curie
Elective Affinities	1996		Carlotta
Gulliver's Travels	1996	TV Mini-Series	Mistress
La Cérémonie	1995		Jeanne la postière
La séparation	1994		Anne
Amateur	1994		Isabelle
Navodneniye	1993		Sofia
Après l'amour	1992		Lola
Madame Bovary	1991		Emma Bovary
Malina	1991		Die Frau
La vengeance d'une femme	1990		Cécile
Seobe	1989		Dafina
Milan noir	1988		Sarah
Story of Women	1988		Marie
Les possédés	1988		Maria Sjatov
The Bedroom Window	1987		Sylvia Wentworth
Cactus	1986		Colo
Sac de noeuds	1985		Rose-Marie Martin - la femme maltraitée d'un flic violent
Sincerely Charlotte	1985		Charlotte
La garce	1984		Aline Kaminker / Édith Weber
My Best Friend's Girl	1983		Viviane
Entre Nous	1983		Lena Weber
Storia di Piera	1983		Piera
La Truite (The Trout)	1982		Frédérique
Godard's Passion	1982		Isabelle
Eaux profondes	1981		Melanie
Coup de torchon	1981		Rose Mercaillou
Les ailes de la colombe	1981		Marie
La storia vera della signora dalle camelie	1981		Alphonsine Plessis
Bande-annonce de 'Sauve qui peut (la vie)'	1980	Short
Heaven's Gate	1980		Ella Watson
Loulou	1980		Nelly
Örökség	1980		Irène
Every Man for Himself	1980		Isabelle Rivière
Les soeurs Brontë	1979		Anne Brontë
Retour	1979		Jeanne Kern
Il était un musicien	1978	TV Series	La jeune fille
Violette	1978		Violette Nozière
No Trifling with Love	1977	TV Movie	Camille
Les indiens sont encore loin	1977		Jenny Kern
Des enfants gâtés	1977		La secrétaire du député (uncredited)
The Lacemaker	1977		Pomme
Je suis Pierre Rivière	1976		Aimée
Le petit Marcel	1976		Yvette
Le juge et l'assassin	1976		Rose
Docteur Françoise Gailland	1976		Élisabeth Gailland
Le grand délire	1975		Marie
Aloïse	1975		Aloïse jeune
Rosebud	1975		Helene
The Common Man	1975		Brigitte Colin
Sérieux comme le plaisir	1975		Une fille ramenée
L'ampélopède	1974		La conteuse
Plaies et bosses	1974	TV Movie	Patsy Lackan
Madame Baptiste	1974	TV Movie	Blanche
Going Places	1974		Jacqueline
Successive Slidings of Pleasure	1974		L'étudiante
Vogue la galère	1973	TV Movie	Clotilde
Le drakkar	1973	TV Movie	Yolande
Le maître de pension	1973	TV Movie	Annie
Histoire vraie	1973	TV Movie	Adelaïde
Qui êtes-vous Monsieur Renaudot?	1972	TV Movie	Marthe 13 ans
César and Rosalie	1972		Marite
Figaro-ci, Figaro-l	1972	TV Movie	Pauline
Le bar de la fourche	1972		Annie Smith
Faustine et le bel été	1972		Student #2
Les cent livres des hommes	1971	TV Series	Gilberte
Le prussien	1971	TV Movie	Elisabeth

Soundtrack

Title	Year	Status
Les soeurs fâchées	2004	performer: "Rue de Jollieres"
8 femmes	2002	performer: "Message personnel" Personal message
Sincerely Charlotte	1985	performer: "Souvenirs Chiffonnés"
Le juge et l'assassin	1976	performer: "La Commune Est En Lutte", "Promenade"

Producer

Title	Year	Status	Character
Navodneniye	1993	associate producer

Miscellaneous

Title	Year	Status	Character
Wanda	1970	presenter: Re-release 2003 in France

Thanks

Title	Year	Status
Henri Cartier-Bresson: The Impassioned Eye	2003	Documentary thanks
La cloche	1998	Short thanks
Le bassin de J.W.	1997	acknowledgment

Self

Title	Year	Status	Character
Cinema 3	2016	TV Series	Herself - Interviewee
Verhoeven Versus Verhoeven	2016	Documentary	Herself - Actress
Rencontres de cinéma	2010-2016	TV Series	Herself
Close Encounters with Vilmos Zsigmond	2016	Documentary	Herself
C	2013-2016	TV Series	Herself
Le grand journal de Canal+	2009-2015	TV Series documentary	Herself
A.M.P.A.S. Tribute Film: Jean Claude Carriere	2014	TV Movie	Herself
Dior et Moi	2014	Documentary	Herself (uncredited)
Balkan Spirit	2013	Documentary	Herself
Michael H. Profession: Director	2013	Documentary	Herself
Días de cine	2009-2012	TV Series	Herself - Interviewee
Le petit journal	2011	TV Series	Herself
20 heures le journal	2000-2011	TV Series	Herself - Interviewee
Les enfants de la télé	2011	TV Series	Herself
Mondo Lux - Die Bilderwelten des Werner Schroeter	2011	Documentary	Herself
The 2009 European Film Awards	2009	TV Special	Herself - Award Recipient
Mein Leben	2009	TV Series documentary	Herself
TV Festival Du Cannes 2009	2009	TV Movie	Herself
Le cinéma français est en voyage d'affaires	2009	TV Movie documentary	Herself
Ce soir (ou jamais!)	2009	TV Series	Herself
La traversée du désir	2009	Documentary	Herself
Europas Erbe - Die großen Dramatiker	2008	TV Series	Herself
Empreintes	2008	TV Series documentary	Herself
La nuit des Césars	1977-2006	TV Series documentary	Herself / Herself - La présidente des Césars / Herself - César de la meilleure actrice
On ne peut pas plaire	2006	TV Series	Herself
Først & sist	2006	TV Series	Herself
Charlie Rose	2005	TV Series	Herself - Guest
El Magacine	2005	TV Series	Herself
La nit al dia	2005	TV Series	Herself / Hedda Gabler
I Heart Huckabees: Production Surveillance	2005	Video documentary short	Herself
La semaine du cinéma	2004	TV Series	Herself
Tout le monde en parle	2004	TV Series	Herself
Comme au cinéma	2000-2004	TV Series documentary	Herself
20h10 pétantes	2004	TV Series	Herself
Premio Donostia a Isabelle Huppert	2003	TV Special	Herself - Honoree
Liebesversuche - Portrait Werner Schroeter	2003	TV Movie documentary	Herself
Henri Cartier-Bresson: The Impassioned Eye	2003	Documentary	Herself
La case de l'oncle Doc	2003	TV Series documentary	Herself
Exclusif	2002	TV Series	Herself
Ombre et lumière	2001	TV Series documentary	Herself
+ de cinéma	2001	TV Series documentary short	Herself
Bouillon de culture	1991-2001	TV Series documentary	Herself
Isabelle Huppert, une vie pour jouer	2001	TV Movie documentary
Vivement dimanche	2000	TV Series	Herself - Main Guest
Vivement dimanche prochain	2000	TV Series	Herself
Signé croisette	1998	TV Series	Herself
Nulle part ailleurs	1997	TV Series	Herself
Poussières d'amour - Abfallprodukte der Liebe	1996	Documentary	Interviewer
Lumière et compagnie	1995	Documentary	Récitante: Segment Abbas Kiarostami (voice)
Un siècle d'écrivains	1995	TV Series documentary	Récitante
A Film és... I.-XIV	1995	TV Series documentary	Herself (1995)
The 49th Annual Golden Globe Awards	1992	TV Special	Herself
Contre l'oubli	1991		Herself (segment "Pour d'Archana Guha, Inde")
The 62nd Annual Academy Awards	1990	TV Special	Herself - Presenter: Gordon E. Sawyer Award
The 47th Annual Golden Globe Awards	1990	TV Special	Herself - Presenter
7 sur 7	1989	TV Series	Herself
La biennale di Venezia: 45ª Mostra internazionale del cinema	1988	TV Movie	Herself
Cinéma cinémas	1987	TV Series documentary	Herself
Thierry Mugler	1985	Documentary	Herself (Invalids Sequence)
Champs-Elysées	1985	TV Series	Herself
Mardi cinéma	1983-1985	TV Series documentary	Herself
Ciné regards	1978-1981	TV Series documentary	Herself
Quelques remarques sur la réalisation et la production du film 'Sauve qui peut (la vie)'	1979	Short	Herself
Gala de l'union	1978	TV Series	Herself
Numéro 1	1976-1978	TV Series	Herself
Monsieur Cinéma	1978	TV Series	Herself
Les rendez-vous du dimanche	1977	TV Series	Herself

Archive Footage

Title	Year	Status	Character
Colpo di scena	2014	TV Series	Herself
Dai nostri inviati: La Rai racconta la Mostra del cinema di Venezia 1980-1989	2013	TV Movie documentary	Herself
Cinémas	2010	TV Series	Herself
Cannes, 60 ans d'histoires	2007	TV Movie documentary	Herself
Danielle Darrieux, une vie de cinéma	2007	TV Movie	Herself
Premio Donostia a Matt Dillon	2006	TV Special	Herself
Premio Donostia a Max Von Sydow	2006	TV Special	Herself
Cinema mil	2005	TV Series	Betty
French Beauty	2005	TV Movie documentary	Herself
Final Cut: The Making and Unmaking of Heaven's Gate	2004	Documentary	Ella Watson
Les voleurs de la nuit	1984		'La Dame aux Camelias' (uncredited)

Won Awards

Year	Award	Ceremony	Nomination	Movie
2016	ICS Cannes Award	International Cinephile Society Awards	Grand Prix	Elle (2016)
2016	Honorary Lumiere Award	Lumiere Awards, France
2014	CineMerit Award	Munich Film Festival
2013	Golden Camera 300 for Lifetime Achievement	Brothers Manaki International Film Festival
2012	Honorary Award of the Festival	Marrakech International Film Festival
2011	Silver Gateway	Bombay International Film Festival	Best Actress	My Little Princess (2011)
2011	BFI Fellowship	British Film Institute Awards
2011	Joseph Plateau Honorary Award	Ghent International Film Festival
2011	Honorary Award	Istanbul International Film Festival
2011	Excellence Award	Locarno International Film Festival
2011	Hand Printing	Pusan International Film Festival
2011	Lifetime Achievement Award	Stockholm Film Festival
2010	Best Actress	Cairo International Film Festival		Copacabana (2010)
2010	João Bénard da Costa Special Jury Award	Lisbon & Estoril Film Festival		Copacabana (2010)
2010	Special Jury Award	Philadelphia Film Festival	Best Actress	Copacabana (2010)
2009	Outstanding European Achievement in World Cinema	European Film Awards
2009	European Silver Ribbon	Italian National Syndicate of Film Journalists		L'amore nascosto (2007)
2009	Special Prize for Outstanding Contribution to World Cinema	Karlovy Vary International Film Festival
2009	Special Artistic Achievement Award	Shanghai International Film Festival
2008	Krzysztof Kieslowski Award	Camerimage
2008	Best Actress	Mar del Plata Film Festival		Home (2008)
2008	Grand Prix Special des Amériques	Montréal World Film Festival
2008	Stanislavsky Prize	Moscow International Film Festival
2008	Coup de Coeur	Namur International Festival of French-Speaking Film
2007	Actor's Mission Award	Art Film Festival
2006	Lumiere Award	Lumiere Awards, France	Best Actress (Meilleure comédienne)	Gabrielle (2005)
2005	Special Lion for the Overall Work	Venice Film Festival
2003	Audience Award	Chlotrudis Awards	Best Supporting Actress	8 femmes (2002)
2003	Chlotrudis Award	Chlotrudis Awards	Best Actress	La pianiste (2001)
2003	Career David	David di Donatello Awards
2003	Douglas Sirk Award	Hamburg Film Festival
2003	Donostia Lifetime Achievement Award	San Sebastián International Film Festival
2003	Critics Award	SESC Film Festival, Brazil	Best Foreign Actress (Melhor Atriz Estrangeira)	La pianiste (2001)
2003	Audience Award	SESC Film Festival, Brazil	Best Foreign Actress (Melhor Atriz Estrangeira)	La pianiste (2001)
2003	Étoile d'Or	Étoiles d'Or, France	Best Actress (Meilleure actrice)	8 femmes (2002)
2002	Silver Berlin Bear	Berlin International Film Festival	Outstanding Artistic Achievement	8 femmes (2002)
2002	European Film Award	European Film Awards	European Actress	8 femmes (2002)
2002	Golden Arena	Pula Film Festival	Best Actress - Foreign Film	La pianiste (2001)
2002	Golden Aries	Russian Guild of Film Critics	Best Foreign Actress	8 femmes (2002)
2002	Special Award	San Diego Film Critics Society Awards		Les destinées sentimentales (2000)
2002	SFFCC Award	San Francisco Film Critics Circle	Best Actress	La pianiste (2001)
2002	Golden Space Needle Award	Seattle International Film Festival	Best Actress	La pianiste (2001)
2002	Taormina Arte Award	Taormina International Film Festival
2001	Best Actress	Cannes Film Festival		La pianiste (2001)
2001	European Film Award	European Film Awards	European Actress	La pianiste (2001)
2001	European Actors Award	Filmfest Ludwigsburg
2001	Lumiere Award	Lumiere Awards, France	Best Actress (Meilleure comédienne)	Merci pour le chocolat (2000)
2001	Golden Aries	Russian Guild of Film Critics	Best Foreign Actress	La pianiste (2001)
2001	Platinum Award for Cinematic Excellence	Viareggio EuropaCinema
2000	Best Actress	Montréal World Film Festival		Merci pour le chocolat (2000)
1996	César	César Awards, France	Best Actress (Meilleure actrice)	La cérémonie (1995)
1996	Lumiere Award	Lumiere Awards, France	Best Actress (Meilleure actrice)	La cérémonie (1995)
1995	Volpi Cup	Venice Film Festival	Best Actress	La cérémonie (1995)
1995	Pasinetti Award	Venice Film Festival	Best Actress	La cérémonie (1995)
1991	Film Award in Gold	German Film Awards	Best Performance by an Actress in a Leading Role (Beste darstellerische Leistung - Weibliche Hauptrolle)	Malina (1991)
1991	Silver St. George	Moscow International Film Festival	Best Actress	Madame Bovary (1991)
1990	Sant Jordi	Sant Jordi Awards	Best Foreign Actress (Mejor Actriz Extranjera)	Une affaire de femmes (1988)
1989	Golden Precolumbian Circle	Bogota Film Festival	Best Actress	Une affaire de femmes (1988)
1988	Best Actress	Valladolid International Film Festival		Une affaire de femmes (1988)
1988	Volpi Cup	Venice Film Festival	Best Actress	Une affaire de femmes (1988)
1986	Silver Medallion Award	Telluride Film Festival, US
1980	David	David di Donatello Awards	Best Foreign Actress (Migliore Attrice Straniera)	La dentellière (1977)
1978	BAFTA Film Award	BAFTA Awards	Most Promising Newcomer to Leading Film Roles	La dentellière (1977)
1978	Best Actress	Cannes Film Festival		Violette Nozière (1978)
1976	Suzanne Bianchetti Award	SACD Awards

Nominated Awards

Year	Award	Ceremony	Nomination	Movie
2016	César	César Awards, France	Best Actress (Meilleure actrice)	Valley of Love (2015)
2016	Gotham Independent Film Award	Gotham Awards	Best Actress	Elle (2016)
2016	Lumiere Award	Lumiere Awards, France	Best Actress (Meilleure actrice)	Valley of Love (2015)
2014	VVFP Award	Village Voice Film Poll	Best Actress	Abus de faiblesse (2013)
2013	César	César Awards, France	Best Supporting Actress (Meilleure actrice dans un second rôle)	Amour (2012)
2013	ALFS Award	London Critics Circle Film Awards	Supporting Actress of the Year	Amour (2012)
2012	VVFP Award	Village Voice Film Poll	Best Supporting Actress	Amour (2012)
2010	ICP Award	Indiewire Critics' Poll	Best Lead Performance	White Material (2009)
2010	VVFP Award	Village Voice Film Poll	Best Actress	White Material (2009)
2007	Lumiere Award	Lumiere Awards, France	Best Actress (Meilleure comédienne)	L'ivresse du pouvoir (2006)
2006	César	César Awards, France	Best Actress (Meilleure actrice)	Gabrielle (2005)
2004	Audience Award	European Film Awards	Best European Actress	Ma mère (2004)
2003	Chlotrudis Award	Chlotrudis Awards	Best Supporting Actress	8 femmes (2002)
2003	César	César Awards, France	Best Actress (Meilleure actrice)	8 femmes (2002)
2003	DFWFCA Award	Dallas-Fort Worth Film Critics Association Awards	Best Actress	La pianiste (2001)
2003	OFCS Award	Online Film Critics Society Awards	Best Actress	La pianiste (2001)
2002	César	César Awards, France	Best Actress (Meilleure actrice)	La pianiste (2001)
2002	Audience Award	European Film Awards	Best European Actress	8 femmes (2002)
2002	TFCA Award	Toronto Film Critics Association Awards	Best Performance, Female	La pianiste (2001)
2001	César	César Awards, France	Best Actress (Meilleure actrice)	Saint-Cyr (2000)
1999	César	César Awards, France	Best Actress (Meilleure actrice)	L'école de la chair (1998)
1995	César	César Awards, France	Best Actress (Meilleure actrice)	La séparation (1994)
1989	César	César Awards, France	Best Actress (Meilleure actrice)	Une affaire de femmes (1988)
1989	David	David di Donatello Awards	Best Foreign Actress (Migliore Attrice Straniera)	Une affaire de femmes (1988)
1982	César	César Awards, France	Best Actress (Meilleure actrice)	Coup de torchon (1981)
1981	César	César Awards, France	Best Actress (Meilleure actrice)	Loulou (1980)
1979	César	César Awards, France	Best Actress (Meilleure actrice)	Violette Nozière (1978)
1978	César	César Awards, France	Best Actress (Meilleure actrice)	La dentellière (1977)
1976	César	César Awards, France	Best Supporting Actress (Meilleure actrice dans un second rôle)	Aloïse (1975)

2^nd Place Awards

Year	Award	Ceremony	Nomination	Movie
2003	NSFC Award	National Society of Film Critics Awards, USA	Best Actress	La pianiste (2001)
2002	LAFCA Award	Los Angeles Film Critics Association Awards	Best Actress	La pianiste (2001)

3^rd Place Awards

Year	Award	Ceremony	Nomination	Movie
2002	NYFCC Award	New York Film Critics Circle Awards	Best Actress	La pianiste (2001)
2002	VVFP Award	Village Voice Film Poll	Best Performance	La pianiste (2001)

Known for movies

Source

Actresses

Isabelle Huppert Net Worth

Isabelle Huppert Net Worth 2020: Wiki Biography, Married, Family, Measurements, Height, Salary, Relationships

Isabelle Ann Huppert net worth is
$40 Million