Mary Jane West was born on the 17th August 1893 in Brooklyn, New York City USA, and was an actress, screenwriter, playwright and singer, known to the world for her controversial plays “SEX” (1926), and “The Drag”, among many other successful acts. Credited as the most controversial personality in the entertainment industry during her time, Mae left a deep mark on the next generations of sex symbols, including Marilyn Monroe and many others. She passed away on the 22nd November 1980 in Los Angeles, California at 87 years old. Mae’s career started in 1907 and ended in 1978.
Have you ever wondered how rich Mae West was, at the time of her death? According to authoritative sources, it has been estimated that West’s net worth was as high as $20 million, an amount earned through her more than successful career in the entertainment industry.
Mae West Net Worth $20 Million
Mae was the eldest serving child born to Patrick West and Matilda Delker, of German, Scottish and Irish ancestry. Her childhood was marred by frequent moves as the whole family lived in several parts of Woodhaven, Williamsburg and Greenpoint.
Mae was thrown into entertainment from an early age, performing at the local church when five years old, only to start making appearances in amateur shows two years later. She continued with talent contests and won numerous prizes, before she started performing professionally in the Hal Clarendon Stock Company in vaudeville when she was 14 years old. From then until her death, Mae rose to stardom through Broadway appearances and later on television.
Her first Broadway appearance was in 1911, in the play “A La Broadway” as Maggie O’Hara. She then featured in the play “Vera Violetta” in 1912, but until 1918 and the part of Mayme Dean in the play “Sometime”, Mae was somewhat unknown. After that particular role she emerged as a rising star, and soon started writing her own material which resulted in “SEX”, premiered on 26th April 1926. She ended-up in prison for the play, as it was against the social morals of the time, sentenced 10 days for “corrupting the morals of youth”. Time in prison did well for Mae, as her popularity grew at enormous speed. and away of all boundaries. She continued with her own plays, such as “The Drag” which was also later banned, as it dealt with homosexuality and wasn’t accepted by many theaters, then she created the character Diamond Lili, and toured extensively with several later revivals from the late ‘20s to early ‘50s. She also wrote “Sextette” in 1961, which premiered at the Edgewater Beach Playhouse, and was years later made into a film.
In the early ‘30s, Mae decided to try her luck on screen, and signed a contract with the Paramount Pictures. Her first screen role was as Maudie Triplett in the comedy “Night After Night” in 1932, starring George Raft, Constance Cummings and Wynne Gibson. Although her role was minor, Mae stole the show, and was immediately given the lead role in the comedy drama “She Done Him Wrong”, with Cary Grant and Owen Moore. She continued as a star in Paramount films, such as in “I’m No Angel” (1933), “Belle of the Nineties” (1934), and “Go West Young Man” (1936). In the early ‘40s she decided to take a break from screen roles, but not before she starred in “My Little Chickadee” (1940), and “The Heat’s On” (1943), with Victor Moore, William Gaxton and Lester Allen.
She was again banned from public by mostly religious groups for her extensive use of sexuality for profit, which forced her into the music business, and she released eight studio albums from the mid-50s until her death; some of them include “Way Out West” (1966) and “Great Balls of Fire” (1972) among many others, which also added to her wealth.
She also focused more on writing, and published a number of books including her autobiography “Goodness Had Nothing to Do with It”, which was first published in 1959 and then re-published in 1970. Mae returned to screen in 1970 in the role of Leticia Van Allen in the comedy film “Myra Breckinridge”, and before her death appeared also in “Sextette” (1978), based on her play from 1961.
Regarding her personal life, Mae was married to vaudevillian Frank Wallace from 1911 until 1942. She became known for her relationships and affairs, but from 61 years of age until her death she lived with Chester Rybinski, one of her muscle men, who was 30 years younger than her. Chester later changed his name to Paul Novak.
Mae suffered a stroke in August 1980, and spent her last days at Good Samaritan Hospital in Los Angeles. Her body was entombed at the family mausoleum at Cypress Hills Abbey, Brooklyn.
She Done Him Wrong, I'm No Angel, Sextette, Night After Night, My Little Chickadee, Myra Breckinridge, Every Day's a Holiday, Belle of the Nineties, The Heat's On, Klondike Annie, Goin' to Town, Go West, Young Man
I was in the office at Paramount, and they gave me a large book with a lot of photographs of different leading men, and I was sitting at a table or a desk right near the window and the door, and uh, after I looked at a few I kind of glanced out the window and I saw this good-looking guy walk across the street. So, I said, "That's about the best-looking thing in Hollywood: who is he?" So they looked, and they said, "Oh, that's Cary Grant. We haven't used him in a picture as yet, but we made tests of him with some of the starlets." I said, "Well, if this guy can talk, I'll take him." So they called him in, and we met, and he said, "How d'ya do?" and I said, "OK." And they said, "What part?" and I said, "The lead, of course." So he got the lead.
3
Virtue has its own reward, but has no sale at the box office.
4
Between two evils, I always pick the one I never tried before.
5
Almost anything goes, anywhere, if it is good and fast and amusing. Risque material is only offensive if badly done, without style and charm. I brought my own sophisticated ideas and style to the vaudeville stage but I had to adjust it to the standard of each theatre, and even to each night's audience.. The theatre manager,if he was a man with experience and knew his business, could usually tell me what the people in town were like, and what the difference in audiences was on other nights.I usually found that one night a week you would get a top society crowd, and another night you'd get mostly working-class people. Other nights there would be family groups - especially on Friday nights when the kids didn't have to go to school the next day. Saturday nights everybody was out for a good time, so audiences were both mixed and terrific.
6
[on her popularity within the gay community] They're crazy about me 'cause I give 'em a chance to play. My character is sexy and with humor and they like to imitate me, the things I say, the way I say 'em, the way I move. It's easy for'em to imitate me 'cause the gestures are exaggerated, flamboyant, sexy, and that's what they want to look like, feel like. And I've stood up for 'em. They're good kids. I don't like the police abusin' 'em, and in New York I told 'em, 'When you're hittin' one of those guys, you're hittin' a woman, 'cause a born homosexual is a female in a male body.
7
I'm my own original creation. I concentrate on myself most of the time. That's the only way a person can become a star in the true sense. I never wanted a love that meant surrender of my self-possession. I saw what it did to other people when they loved another person the way I loved myself, and I didn't want that problem. I had to stay in command of my career.
8
My advice for those gals who think they have to take their clothes off to be a star is: baby, once you've boned, what's left to create an illusion? Let 'em wonder.I never believed in givin' 'em too much of me.
9
[on Marilyn Monroe] The only gal who came near to me in the sex appeal department was pretty little Marilyn Monroe. All the others had were big boobs.
10
A dame that knows the ropes isn't likely to get tied up.
11
[on growth] He who hesitates is a damn fool.
12
[on love] A man's kiss is his signature.
13
[on style] It's all right for a perfect stranger to kiss your hand as long as he's perfect.
14
Men are easy to get but hard to keep.
15
I'm not good and tired, just tired.
16
It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.
17
I generally avoid temptation unless I can't resist it.
18
The man I don't like doesn't exist.
19
I freely chose the kind of life I led because I was convinced that a woman has as much right as a man to live the way she does if she does no actual harm to society.
20
Why don't you come up sometime and see me? I'm home every evening . . . Come up, and I'll tell your fortune.
21
I always save one boyfriend for a rainy day . . . and another in case it doesn't rain.
22
Few men know how to kiss well. Fortunately, I've always had time to teach them.
23
To err is human, but it feels divine.
24
I do all my writing in bed; everybody knows I do my best work there.
25
On desire: Sex is an emotion in motion....love is what you make it and who you make it with.
26
Ten men waiting for me at the door? Send one of them home, I'm tired.
27
I used to be Snow White, but I drifted.
28
Good girls go to heaven. Bad girls go everywhere else.
29
Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is.
30
It ain't sin if you crack a few laws now and then, just so long as you don't break any.
31
I wrote the story myself. It's all about a girl who lost her reputation but never missed it.
32
It's hard to be funny when you have to be clean.
33
Don't marry a man to reform him. That's what reform schools are for.
34
I'm no model lady. A model's just an imitation of the real thing.
35
Too much of a good thing is wonderful.
36
I only like two kinds of men: Foreign and Domestic.
37
I believe in censorship. After all, I made a fortune out of it.
38
Is that a gun in your pocket or are you just glad to see me?
39
It's not the man in your life that counts. It's the life in your man.
40
Marriage is a great institution. I'm not ready for an institution.
41
When I'm good, I'm very good. But when I'm bad, I'm better.
42
When caught between two evils I generally pick the one I've never tried before.
43
When women go wrong, men go right after them!
44
Men are my life, diamonds are my career!
45
A hard man is good to find.
46
It's better to be looked over than overlooked.
#
Fact
1
Her mother had wanted to be an actress.
2
Her father built a stage for her in the basement of their house in Brooklyn.
3
Is mentioned in Cole Porter's song "Anything Goes" from a musical of the same name.
4
Lent her name to life preservers, art, graphs, album covers, statues, table radios, songs, etc.
5
Her frank, sexual innuendo-laced play "Sex" opened at Daly's 63rd Street Theatre on April 26, 1926. Ironically, that theatre had been built twelve years earlier by two Christian societies - the People's Pulpit and the International Bible Student's Association - that had intended it to be used for the presentation of biblical films and lectures.
6
Had a chimpanzee she named Coffee that she gave to her friend Ralph Helfer, renowned animal trainer and Hollywood animal behaviorist who owned the "Africa U.S.A." Exotic Animal Ranch in Soledad Canyon, California.
7
Made her Broadway debut on September 22, 1911, at the New York Folies Bergère, co-owned by Jesse L. Lasky. Twenty-one years later, West signed with Paramount Pictures, which was co-founded by Lasky.
8
A "Mae West" is a slang term for type of parachute malfunction called a "lineover" in which the suspension lines divide the main canopy into two sections, lending the appearance of a huge brassiere.
9
She had a double thyroid. Her doctor wanted her to have one of her thyroids surgically removed, but she refused as the double thyroid was not affecting her health in the slightest.
10
Graduated from Brooklyn's Erasmus Hall High School in 1911, as did silent film star Norma Talmadge.
11
The comedy entitled "Sex" she wrote in 1926 revived in NY, off Broadway, Dec. 1999.
Guido Deiro claims that West married his father, Guido Deiro, in 1914 under an assumed name, Catherine Mae Belle West, and on the condition of secrecy. West left Deiro in 1916, and "divorced" him on 9 November 1920.
14
When W.C. Fields called her "My little broodmare", she almost hit him.
In April 1927, West was convicted of "producing an immoral play", the title of which was Sex. She was sentenced to ten days in jail in New York City, but was given one day off for good behavior.
17
Although critics thought that she and W.C. Fields worked well together on camera, West reputedly did not admire him.
18
Has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood, California.
19
Was in consideration for the part of Norma Desmond in Sunset Blvd. (1950) but Gloria Swanson, who went on to receive a Best Actress Oscar nomination for her performance, was cast instead.
20
There is a photo in fundamentalist preacher Billy Sunday's autobiography (circa 1932) of Billy Sunday and Mae West pouring out a bottle of beer into the river.
21
The Coca-Cola bottle was said to have been designed with Mae West's figure as inspiration.
22
Surrealist artist Salvador Dalí created one of his most iconic works influenced by her: "Mae West's Lips Sofa" (1937).
She was born Mary Jane West in the Bushwick section of Brooklyn. Mae's father, John Patrick "Jack" West, was a featherweight prizefighter called "Battling Jack" West, and later a stable master; he was of English and Irish descent (his own mother was an Irish immigrant). Mae's mother, Matilda Decker Doelger, was an immigrant from Germany.
26
Died apparently of natural causes in the wake of a mild stroke she suffered three months prior that left her speech impaired. Also suffered from diabetes the last 15 years of her life.
27
Was not a smoker or a drinker.
28
During World War II, Miss West's name was applied to various pieces of military equipment and was thus listed in Webster's New International Dictionary, Second Edition. The Royal Air Force named its inflatable lifejackets "Mae Wests", and United States Army soldiers referred to twin-turreted combat tanks also as "Mae Wests".
29
Eldest of three children of John Patrick West, an occasional prizefighter and livery-stable owner, and Matilda Delker Doelger, a one-time corset and fashion model. A baby girl died before Mae was born the after Mae there was another girl and a boy.
30
Once when she was scheduled to play a theater in New Haven, Conneticut, the theater's management refused to let her go on because her act was too "risqué" and canceled the show. Disappointed, Yale University students rioted and wrecked the theater.
31
Playing opposite Ed Wynn in Arthur Hammerstein's "Sometime," with music by Rudolf Friml, she introduced the shimmy to the Broadway stage in 1918. The dance requires hardly any movement of the feet but continuous movement of the shoulders, torso and pelvis. She had seen the dance at black cafés in Chicago.
32
One of the first women to consistently write the movies she starred in.
At one point, her chauffeur was Jerry Orbach (who is best known for playing Detective Lennie Briscoe on all four "Law & Order" television series).
36
Was named #15 Actress on The American Film Institutes 50 Greatest Screen Legends
37
Her films are credited with single-handedly saving failing and debt-ridden Paramount Pictures from bankruptcy in the early 1930s.
38
According to psychic Kenny Kingston, she wrote all her plays while in a trance.
39
She was famous for her morning enemas, which she claimed made her skin like silk and left her "smelling sweet at both ends". On the set of her last film Sextette (1978), co-star Tony Curtis claimed that she was given an enema after being made up, at approximately 11:00 in the morning, as the last step of her preparations before going before the camera.
40
Was banned from NBC Radio after a guest appearance in 1937 with Edgar Bergen and Charlie McCarthy that was loaded with flirtatious dialogue and double-entendres. She returned to the network as a guest on the "Perry Como Show" in 1949.
41
Is sometimes credited with originating the Shimmy (a once-popular dance).
42
Former Beatle Ringo Starr appeared with West in Sextette (1978). He was unpleasantly surprised at first, at all the attention given her on the set (usually reserved for pop stars like The Beatles), but came to admire West during the shoot, and praised her afterwards.
43
Appears on sleeve of The Beatles "Sgt Pepper's Lonely Hearts Club Band". West at first declined to be pictured on the cover ("What would I be doing in a lonely hearts club?!"), but reconsidered when the Beatles sent her a handwritten personal request.
During World War II, United States Navy and Army pilots and crewmen in the Pacific named their inflatable life vests after her, supposedly because of her well-endowed attributes. The term "Mae West" for a lifejacket continues to this day.
46
According to actor Tony Curtis, her famous walk originated while beginning her career as a stage actress. Special six-inch platforms were attached to her shoes to increase the height of her stage presence. Her walk literally was "one foot at a time."
47
After two years of denying that she had ever been married, West admitted in a reply to a legal interrogatory in 1937 that she and Frank Wallace had married in 1911. During her divorce trial in 1942, she testified that they had lived together only "several weeks".
48
Hollywood's outrageous, self-proclaimed psychic Criswell predicted in 1955 that she would win the 1960 Presidential election, and would fly to the moon in 1965 with him and friend Liberace!.
Hollywood Singing and Dancing: A Musical History - The 1930s: Dancing Away the Great Depression
2009
Video documentary performer: "They Call Me Sister Honky-Tonk", "I Found a New Way to Go to Town", "I Want You, I Need You" - uncredited
Sextette
1978
performer: "Love Will Keep Us Together", "After You've Gone", "Happy Birthday Twenty One"
My Tongue Is -Quick!
1971
"My Old Flame", uncredited
Myra Breckinridge
1970
performer: "Hard to Handle", "You Gotta Taste All the Fruit" - uncredited
Mondo Trasho
1969
performer: "Treat Him Right", "You Turn Me On"
The Love Goddesses
1965
Documentary performer: "They Call Me Sister Honky-Tonk" - uncredited
The 30th Annual Academy Awards
1958
TV Special performer: "Baby, It's Cold Outside"
The Heat's On
1943
performer: "I'm Just a Stranger in Town" 1943, "Hello, Mi Amigo" 1943
My Little Chickadee
1940
performer: "Willie of the Valley"
Every Day's a Holiday
1937
performer: "Jubilee" uncredited, "Fifi", "Little Butterfly", "Every Day's a Holiday" uncredited, "Along the Broadway Trail" uncredited
Go West Young Man
1936
performer: "ON A TYPICAL TROPICAL NIGHT", "I WAS SAYING TO THE MOON"
Klondike Annie
1936
performer: "My Medicine Man" uncredited, "Cheer Up, Little Sister", "It's Better to Give Than to Receive", "I'm an Occidental Woman in an Oriental Mood for Love", "Mister Deep Blue Sea", "Little Bar Butterfly"
Goin' to Town
1935
performer: "HE'S A BAD MAN", "NOW I'M A LADY", "MON COEUR S'OEUVRE A TA VOIX", "LOVE IS LOVE"
Belle of the Nineties
1934
performer: "Memphis Blues", "My Old Flame", "Troubled Waters", "When a St. Louis Woman Goes Down to New Orleans" - uncredited
I'm No Angel
1933
performer: "They Call Me Sister Honky-Tonk" 1933, "That Dallas Man" 1933, "I Found a New Way to Go to Town" 1933, "I Want You, I Need You" 1933, "I'm No Angel" 1933 - uncredited
She Done Him Wrong
1933
performer: "I Wonder Where My Easy Rider's Gone" 1933, "A Guy What Takes His Time" 1933, "Frankie and Johnny" 1912 - uncredited
Actress
Title
Year
Status
Character
Sextette
1978
Marlo Manners
Myra Breckinridge
1970
Leticia Van Allen
Mister Ed
1964
TV Series
Mae West
The Heat's On
1943
Fay Lawrence
My Little Chickadee
1940
Flower Belle Lee
Every Day's a Holiday
1937
Peaches O'Day
Go West Young Man
1936
Mavis Arden
Klondike Annie
1936
The Frisco Doll / Rose Carlton / Sister Annie Alden
Goin' to Town
1935
Cleo Borden
Belle of the Nineties
1934
Ruby Carter
I'm No Angel
1933
Tira
She Done Him Wrong
1933
Lady Lou
Night After Night
1932
Maudie Triplett
Writer
Title
Year
Status
Character
Sextette
1978
play "Sextet"
My Little Chickadee
1940
original screen play
Every Day's a Holiday
1937
screen play
Go West Young Man
1936
screenplay
Klondike Annie
1936
play / screenplay
Goin' to Town
1935
screenplay
Belle of the Nineties
1934
story "It Ain't No Sin"
I'm No Angel
1933
dialogue / screenplay / story
She Done Him Wrong
1933
by
Night After Night
1932
additional dialogue - uncredited
Thanks
Title
Year
Status
Character
Frankenpimp's Revenge: The Romeo and Juliet Massacre
special thanks filming
Self
Title
Year
Status
Character
The Second Annual Rock Music Awards
1976
TV Special
Herself
Backlot USA
1976
TV Movie
Herself
The Red Skelton Hour
1960
TV Series
Herself
Person to Person
1959
TV Series documentary
The 30th Annual Academy Awards
1958
TV Special
Herself - Performer
The Ed Sullivan Show
1948
TV Series
Herself - Audience Member
Fashions in Love
1936
Documentary short
The Fashion Side of Hollywood
1935
Documentary short
Herself
Hollywood on Parade No. A-9
1933
Short
Herself (uncredited)
Archive Footage
Title
Year
Status
Character
Welcome to the Basement
2014-2015
TV Series
Flower Belle Lee
Hollywood Rebellen
2013
TV Movie documentary
Arena
2012
TV Series documentary
Starz Inside: Sex and the Cinema
2009
TV Movie documentary
Herself
Hollywood Singing and Dancing: A Musical History - The 1930s: Dancing Away the Great Depression
2009
Video documentary
Herself
Make 'Em Laugh: The Funny Business of America
2009
TV Series documentary
Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood
2008
TV Movie documentary
Tira
Why Be Good? Sexuality & Censorship in Early Cinema
2007
Documentary
Herself
Dead Famous
2006
TV Series documentary
Herself
Naughty Bits
2004
TV Series
Herself
Sex at 24 Frames Per Second
2003
Video documentary
Herself
Complicated Women
2003
TV Movie documentary
Herself (uncredited)
Living Famously
2003
TV Series documentary
Herself
Cleavage
2002
TV Movie documentary
Herself
Hollywood Remembers
2000
TV Series documentary
Hollywood Screen Tests: Take 2
1999
TV Special documentary
Herself (uncredited)
E! Mysteries & Scandals
1999
TV Series documentary
Herself
The 20th Century: A Moving Visual History
1999
TV Mini-Series documentary
Herself
Junket Whore
1998
Documentary
Herself
The Real Las Vegas
1996
TV Series documentary
Herself
The Good, the Bad & the Beautiful
1996
TV Special documentary
Herself
Inside the Dream Factory
1995
TV Movie documentary
Herself
Biography
1995
TV Series documentary
Herself
Betty Boop: Queen of the Cartoons
1995
Documentary
Herself
The Casting Couch
1995
Video documentary
Mae West and the Men Who Knew Her
1994
TV Movie documentary
Herself
Intimate Portrait
1993
TV Series documentary
Herself
Legends of Comedy
1992
TV Movie documentary
Hollywood on Parade
1990
Video documentary
Herself
Hollywood Sex Symbols
1988
Video documentary short
Going Hollywood: The '30s
1984
Documentary
Herself
Hollywood Out-takes and Rare Footage
1983
Documentary
Herself (uncredited)
Hollywood: The Gift of Laughter
1982
TV Movie documentary
Actress - 'My Little Chickadee' (uncredited)
The 53rd Annual Academy Awards
1981
TV Special
Herself
All You Need Is Love
1977
TV Series documentary
Herself
Brother Can You Spare a Dime
1975
Documentary
Herself
The Great Radio Comedians
1972
TV Movie documentary
Herself
Hollywood Blue
1970
Documentary
Herself
The Best of Laurel and Hardy
1968
The Love Goddesses
1965
Documentary
Herself
Wayne and Shuster Take an Affectionate Look At...
1965
TV Series documentary
Herself
Hollywood Without Make-Up
1963
Documentary
Herself
Hollywood on Parade No. B-5
1933
Short
Herself (uncredited)
Won Awards
Year
Award
Ceremony
Nomination
Movie
1969
Golden Apple
Golden Apple Awards
Female Star of the Year
1960
Star on the Walk of Fame
Walk of Fame
Motion Picture
On 8 February 1960. At 1560 Vine Street.
Nominated Awards
Year
Award
Ceremony
Nomination
Movie
1978
Stinker Award
The Stinkers Bad Movie Awards
Worst Actress
Sextette (1978)
1978
Stinker Award
The Stinkers Bad Movie Awards
Worst On-Screen Couple
Sextette (1978)
Known for movies
I'm No Angel (1933) as Tira
She Done Him Wrong (1933) as Lady Lou
My Little Chickadee (1940) as Flower Belle Lee
Klondike Annie (1936) as The Frisco Doll / Rose Carlton / Sister Annie Alde