Celebrities

Anthony Minghella Net Worth

Anthony Minghella Net Worth 2023, Age, Height, Relationships, Married, Dating, Family, Wiki Biography

Anthony Minghella net worth is
$12 Million

Anthony Minghella Wiki: Salary, Married, Wedding, Spouse, Family

Anthony Minghella, CBE (6 January 1954 – 18 March 2008) was a British film director, playwright and screenwriter. He was Chairman of the Board of Governors at the British Film Institute between 2003 and 2007.He won the Academy Award for Best Director for The English Patient (1996), which also won the Academy Award for Best Picture, the BAFTA Award for Best Film and Golden Globe Award for Best Motion Picture – Drama.

Full Name	Anthony Minghella
Net Worth	$12 Million
Date Of Birth	January 6, 1954
Died	March 18, 2008, Charing Cross Hospital, London, United Kingdom
Place Of Birth	Ryde, Isle of Wight, England, UK
Height	1.74 m
Occupation	Director, producer, screenwriter, actor
Profession	Actor, Film director, Film producer, Playwright, Screenwriter, Television producer
Work Position	Awards for Anthony Minghella
Education	University of Hull
Nationality	British
Spouse	Carolyn Choa
Children	Max Minghella, Hannah Minghella
Parents	Gloria Minghella, Edward Minghella
Siblings	Dominic Minghella, Edana Minghella, Loretta Minghella, Gioia Minghella
Nicknames	Anthony Minghella, Minghella, Anthony
IMDB	http://imdb.com/name/nm0005237
Awards	Academy Award for Best Director, BAFTA Award for Best Film, BAFTA Award for Best Adapted Screenplay, BAFTA Award for Best Original Screenplay, Directors Guild of America Award for Outstanding Directing – Feature Film, Critics' Choice Movie Award for Best Director, National Board of Review Award fo...
Nominations	Academy Award for Best Picture, Academy Award for Best Writing Adapted Screenplay, Golden Globe Award for Best Director - Motion Picture, Golden Globe Award for Best Screenplay - Motion Picture, BAFTA Award for Best Direction, Golden Bear, BAFTA Award for Best British Film, César Award for Best For...
Movies	The English Patient, The Talented Mr. Ripley, Cold Mountain, Breaking and Entering, Truly, Madly, Deeply, The Reader, Mr. Wonderful, Atonement, New York, I Love You, Catch a Fire, Nine, A Little Like Drowning, Love You More, Heaven, Check the Gate: Putting Beckett on Film, The Cutting Edge: The Magi...
TV Shows	The No. 1 Ladies' Detective Agency, Jim Henson's The Storyteller: Greek Myths
Star Sign	Capricorn

#	Trademark
1	Frequently worked with Jude Law

#	Quote
1	[on Truly Madly Deeply (1990)] For good or bad, that's the film that's mattered most to people. It's the film that oddly has spoken most directly to people that I meet. And it's sort of dispiriting in a way because it was a film that was painless to make, with my friends; I did very little work preparing the screenplay, it was a quick shoot, it was a painless edit, it was sort of done before I even realised it. People said to me, 'It was great the way you did this', but I can't claim the credit because at the time I didn't know how to do anything else and I only had 28 days to make it, and I've been struggling to reproduce the lack of complication that that film has ever since. It was a group of mates and a camera really.
2	[on The English Patient (1996)] Michael Ondaatje's novel has the deceptive appearance of being completely cinematic. Brilliant images are scattered across its pages in a mosaic of fractured narratives, as if somebody had already seen a film and was in a hurry trying to remember it. In the course of a single page, the reader can be asked to consider events in Cairo, or Tuscany, or England's West Country during different periods, with different narrators; to meditate on the natures of winds, the mischief of an elbow, the intricacies of a bomb mechanism, the significance of a cave painting. The wise screen adapter approaches such pages with extreme caution. The fool rushes in. When I was writing the screenplay I thought, 'My God, what am I doing!' My friends told me the book was unadaptable. Fortunately, Michael Ondaatje was our greatest ally. He let me dismantle his novel, reimagine it and still had dinner with me and gave me good notes. I didn't do this to subvert what he'd done, but to me there was no obvious way I could make a conventional adaptation of his work. The process of adapting The English Patient required me to join the dots and make a figurative work from a pointillist and abstract one. Any number of versions were possible and I'm certain that the stories I chose to elaborate say as much about my own interests and reading as they do about the book.
3	Nobody wants to make any film, ever. I mean, you can assume that every head of every studio would be perfectly happy never to make another film, because making films is dangerous, costs too much money, none of them make sense, there's absolutely no guarantee that they're going to work - the best thing is not to make any; you can't get fired for not making a film - you're going to get fired for making the wrong film. And so you realise that the first words anybody in the movies wants to say is no, and the job of the director or producer or writer is finding the area of least resistance to get the film made. There's never been any movie I've made that anybody's wanted to make, ever.
4	I'm interested in stories which insist on a dog fails-to-eat-dog kind of world. I hate misanthropy and want to believe that there's a possibility that we might all be redeemed, that hope deferred makes the soul sick, that our humanity is fragile, funny, common, crazy, full of the longing for love, the failure of love. I want to tell stories which require something of an audience, by way of thought, argument, emotion, because I'm more often in an audience than I am a maker of films, and that's the kind of movie I want to see.
5	[on The English Patient (1996)] I think the film is quite cruel actually and quite austere; it carries this lava of emotion on quite a formal surface. And one of the reasons why in my life I have loved Bach so much is because I think he too has this combination of an extremely formal structure and apparent austere sound, but underneath there's this emotion boiling away, and I think that one of the purposes of fiction is to exercise the emotional muscle - that's what we go for, we go to think and to feel and I think that feeling somehow in England is at a premium, that people are embarrassed to feel in public, whereas I think that's the luxury of fiction - you can inhabit areas of existence which are not your own but which afford you the possibility of being able to go to places naked really, and I feel my own nakedness in the work that I'm doing; in fact I never watch anything I've been associated with after I've done it because I feel like I'm standing there for everybody to look at, so I haven't seen The English Patient since I finished it. [1997]
6	I never feel more myself than when I'm writing; I never enjoy any day more than a good writing day.
7	The thing that is most notably different about working in the US is that if you are embraced then you are completely accepted. It was quite giddy because you'd be there and Meryl Streep would come on the phone and you'd think it was your mother pretending to be Meryl Streep or maybe your sister, but it was really Meryl Streep. [2008]
8	[from his Oscar acceptance speech, 1997] It's my daughter's 18th birthday today - happy birthday Hannah! This is a great day for the Isle of Wight today.
9	I had never thought of myself as a director and found out that I was not. I am a writer who was able to direct the films that I write.
10	When I became the chair of the British Film Institute, I didn't understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it's for, why it exists, why it needs its money.
11	The only lesson to extract from any civil war is that it's pointless and futile and ugly, and that there is nothing glamorous or heroic about it. There are heroes, but the causes are never heroic.

#	Fact
1	After completing Truly, Madly, Deeply, Minghella wrote a screenplay titled 'The Seven Deadly Sins' in which the sins were to be portrayed by animatronics from the Jim Henson Creature Shop. The film remained in pre-production for at least ten years, in which Minghella kept working on the script. At first, Duncan Kenworthy was attached to produce and later Saul Zaentz. Originally Minghella was set to direct, but later he was replaced by Stanley Donen. The film remains unproduced.
2	The five films that most influenced the director Anthony Minghella: I Vitelloni (1953- Federico Fellini), The Godfather, Part II (1974- Francis Ford Coppola), The Tree of Wooden Clogs (1978- Emmanno Olmi), Manhattan (1979- Woody Allen), The Double Life of Veronique (1991- Krzystof Kieslowski).
3	At the time of his death, he had written the segment of New York, I Love You (2008) which features Shia LaBeouf, Julie Christie and John Hurt. Due to illness, he arranged for it to be cast and directed by Shekhar Kapur. The film was dedicated to Minghella's memory. His next feature film as writer/director was to have been an adaptation of Liz Jensen's novel The Ninth Life of Louis Drax.
4	His favourite piece of music was the aria 'Mache dich, mein Herze, rein' from the St Matthew Passion by Johann Sebastian Bach. It features in The Talented Mr. Ripley (1999) in the scene when Ripley sets out from New York to travel to Italy.
5	Kate Winslet dedicated her first Oscar win for The Reader (2008) to Minghella and his partner in Mirage, Sydney Pollack.
6	He was a friend of Tony Blair. In 2005, he directed a party election broadcast for the Labour Party featuring Blair and Gordon Brown.
7	In 2000, he became partners with Sydney Pollack in Mirage Enterprises. They died less than three months apart.
8	Father of Max Minghella and Hannah Minghella, who worked as production assistant on the set of The Talented Mr. Ripley (1999).
9	As he was a big supporter of soccer club Portsmouth FC, his home had two double bedrooms dedicated to the display of the club's memorabilia.
10	Winner of the Giles Cooper Award in 1988 for "Cigarettes and Chocolate".
11	Brother of writers Edana Minghella and Dominic Minghella.
12	He directed 5 actors to Oscar nominations: Ralph Fiennes, Jude Law, Renée Zellweger, Juliette Binoche and Kristin Scott Thomas. Binoche and Zellwegger won for their supporting turns in The English Patient (1996) and Cold Mountain (2003), respectively.
13	In 1984, the London Theatre Critics named him Most Promising Playwright of the Year.
14	He was awarded the CBE (Commander of the Order of the British Empire) in the 2001 Queen's Birhtday Honours List for his services to film drama.
15	After attending the University of Hull (East Yorkshire/Humberside, England), he briefly worked as a university professor where he started writing music and plays. He won the London Theater Critics Award in 1984 for Most Promising Playwright and in 1986 for Best Play with "Made In Bangkok".
16	Born to Edward Minghella, who was Italian-Scottish, and his wife Gloria, whose ancestors came from the village of Valvori near Rome; they own an ice cream factory on the Isle of Wight.

All pictures

Miscellaneous

Title	Year	Status
The Metropolitan Opera HD Live	2009	TV Series production - 1 episode
The Warrior	2001	presenter
Grange Hill	1983-1987	TV Series script editor - 66 episodes

Writer

Title	Year	Status
Nine	2009	screenplay
New York, I Love You	2008	segment "Shekhar Kapur"
The No. 1 Ladies' Detective Agency	2008	TV Series teleplay - 1 episode
Breaking and Entering	2006	written by
Cold Mountain	2003	screenplay
The Talented Mr. Ripley	1999	screenplay
The English Patient	1996	screenplay
The Storyteller: Greek Myths	1991	TV Mini-Series creator - 4 episodes
The Jim Henson Hour	1990	TV Series 1 episode
Truly Madly Deeply	1990
Inspector Morse		TV Series screenplay - 2 episodes, 1987 - 1989 written by - 1 episode, 1990
Living with Dinosaurs	1989	TV Movie
Smith and Jones in Small Doses	1989	TV Series writer - 1 episode
The Storyteller	1987-1988	TV Series screenplay - 9 episodes
What If It's Raining	1986	TV Series 3 episodes
Boon	1986	TV Series written by - 1 episode
Grange Hill	1985	TV Series writer - 8 episodes
Women	1983	TV Series script - 1 episode
Studio	1983	TV Series writer - 4 episodes
Maybury		TV Series creator - 4 episodes, 1981 writer - 4 episodes, 1981

Producer

Title	Year	Status
Margaret	2011/I	executive producer
Bucco Blanco	2009	Short executive producer
The No. 1 Ladies' Detective Agency		TV Series executive producer - 1 episode, 2009 producer - 1 episode, 2008
The Reader	2008	producer
Love You More	2008	Short producer
Michael Clayton	2007	executive producer
Breaking and Entering	2006	producer
Catch a Fire	2006	producer
The Interpreter	2005	executive producer
The Quiet American	2002	executive producer
Heaven	2002/I	producer
Iris	2001/I	executive producer

Director

Title	Year	Status
The No. 1 Ladies' Detective Agency	2008	TV Series 1 episode
Breaking and Entering	2006
Cold Mountain	2003
Play	2001	Short
The Talented Mr. Ripley	1999
The English Patient	1996
Mr. Wonderful	1993
Truly Madly Deeply	1990
A Little Like Drowning	1978

Soundtrack

Title	Year	Status	Character
Cold Mountain	2003	arranger: "Bonaparte's Retreat", "Am I Born to Die?", "The Cuckoo", "Lulu is Gone", "Like a Songbird That Has Fallen" 2003, "Wayfaring Stranger", "Sittin' on Top of the World" 1966, "I Wish My Baby was Born", "The Scarlet Tide" 2003 / lyrics: "I Wish My Baby was Born"
The Talented Mr. Ripley	1999	"LULLABY FOR CAIN" / producer: "LULLABY FOR CAIN", "TU VUO' FA l'AMERICANO", "MOANIN'", "MY FUNNY VALENTINE", "PENT-UP HOUSE", "FOUR", "STABAT MATER", 1st Movement, "YOU DON'T KNOW WHAT LOVE IS"

Music Department

Title	Year	Status	Character
Cold Mountain	2003	score producer - uncredited
The Talented Mr. Ripley	1999	music producer: songs / score producer

Actor

Title	Year	Status	Character
Atonement	2007		Interviewer

Art Department

Title	Year	Status	Character
The Metropolitan Opera HD Live	2016	TV Series staging - 1 episode

Thanks

Title	Year	Status
9:10 - 4:45	2015	Short thanks
Hong Kong Rebels	2014	special thanks
The Two Faces of January	2014	special thanks
Silver Linings Playbook	2012	producers wish to thank
Nine	2009	in memory of
Nowhere Boy	2009	dedicatee
Triage	2009	dedicatee
The Metropolitan Opera HD Live	2009	TV Series in memory of - 1 episode
The Reader	2008	in loving memory of
Killshot	2008	dedicatee / very special thanks
New York, I Love You	2008	in memory of
Trent 2 Rent	2008	Short special thanks
The No. 1 Ladies' Detective Agency	2008	TV Series in memory of - 1 episode
Murch: Walter Murch on Editing	2007	Documentary many thanks
Bee Season	2005	very special thanks
Birthday Girl	2001	very special thanks
Captain Corelli's Mandolin	2001	the producers wish to thank
Malèna	2000	special thanks
Welcome to Hollywood	1998	special thanks

Self

Title	Year	Status	Character
World Film Report	2009	TV Series	Himself
Imagine	2008	TV Series documentary	Himself
Music by Gabriel Yared	2007	Video documentary	Himself
Bandes originales: Gabriel Yared	2007	TV Movie documentary	Himself
Fog City Mavericks	2007	Documentary	Himself
5 News	2007	TV Series	Himself - BFI Chairman
ITV Evening News	2007	TV Series	Himself - British Fim Institute Chairman
London Tonight	2007	TV Series	Himself - BFI Chairman
Charlie Rose	1996-2007	TV Series	Himself - Guest
2006 BAFTA/LA Cunard Britannia Awards	2006	TV Movie documentary	Himself
Film '72	2006	TV Series	Himself
Breakfast	2006	TV Series	Himself
In Rehearsal: A New Butterfly for the Met	2006	TV Movie documentary	Himself
Sunday AM	2005	TV Series	Himself
The 100 Greatest War Films	2005	TV Movie documentary	Himself
2005 BAFTA/LA Cunard Britannia Awards	2005	TV Movie documentary	Himself
The Cutting Edge: The Magic of Movie Editing	2004	Documentary	Himself
Climbing 'Cold Mountain'	2004	Video documentary	Himself
Happy Birthday BBC Two	2004	TV Movie documentary	Himself
Filmland	2004	TV Series documentary	Himself
4Pop	2004	TV Series documentary	Himself
The 61st Annual Golden Globe Awards	2004	TV Special	Himself - Nominee: Best Director & Best Screenplay
Larry King Live	2004	TV Series	Himself
Tavis Smiley	2004	TV Series	Himself - Guest
The Words and Music of 'Cold Mountain'	2003	TV Movie	Himself
Shootout	2003	TV Series	Himself
A Journey to 'Cold Mountain'	2003	TV Short documentary	Himself
Nicole Kidman: An American Cinematheque Tribute	2003	TV Movie documentary	Himself
Check the Gate: Putting Beckett on Film	2003	Video documentary	Himself - Director ("Play")
From Hollywood to Borehamwood	2003	TV Series documentary	Himself
Page to Screen	2002	TV Series documentary	Himself
AFI's 100 Years... 100 Passions: America's Greatest Love Stories	2002	TV Special documentary	Himself
Music Behind the Scenes	2001	TV Mini-Series documentary	Himself
Reflections on 'The Talented Mr. Ripley'	2000	Video documentary	Himself
Inside 'The Talented Mr. Ripley'	2000	Video documentary short	Himself
The 72nd Annual Academy Awards	2000	TV Special	Himself - Nominee: Best Adapted Screenplay
The Talented Mr. Ripley: Making the Soundtrack	1999	Video documentary short	Himself
Welcome to Hollywood	1998		Himself
The South Bank Show	1998	TV Series documentary	Himself
The Directors	1997	TV Series documentary	Himself
Fleadh Report	1997	TV Short documentary	Himself
The 69th Annual Academy Awards	1997	TV Special	Himself - Winner: Best Director & Nominee: Best Adapted Screenplay

Archive Footage

Title	Year	Status	Character
The Metropolitan Opera HD Live	2009	TV Series	Himself - Interviewee
The 81st Annual Academy Awards	2009	TV Special	Himself - Nominee: Best Picture / Memorial Tribute
The Orange British Academy Film Awards	2009	TV Special	Himself - Memorial Tribute

Won Awards

Year	Award	Ceremony	Nomination	Movie
2008	Lifetime Achievement Award	Shanghai International Film Festival		Posthumously. Anthony Minghella had been invited to chair this year's competition jury.
2006	Britannia Award	BAFTA/LA Britannia Awards	Artistic Excellence in Directing
2004	International Filmmaker Award	Palm Springs International Film Festival		For directing and writing.
2003	NBR Award	National Board of Review, USA	Best Adapted Screenplay	Cold Mountain (2003)
2002	Christopher Award	Christopher Awards	Film	Iris (2001)
2000	ShoWest Award	ShoWest Convention, USA	Director of the Year
2000	OFTA Film Award	Online Film & Television Association	Best Writing, Screenplay Based on Material from Another Medium	The Talented Mr. Ripley (1999)
2000	SFFCC Award	Santa Fe Film Critics Circle Awards	Best Adapted Screenplay	The Talented Mr. Ripley (1999)
1999	NBR Award	National Board of Review, USA	Best Director	The Talented Mr. Ripley (1999)
1998	Empire Award	Empire Awards, UK	Best British Director	The English Patient (1996)
1998	ALFS Award	London Critics Circle Film Awards	British Director of the Year	The English Patient (1996)
1998	Mainichi Film Concours	Mainichi Film Concours	Best Foreign Language Film	The English Patient (1996)
1997	Golden Satellite Award	Satellite Awards	Best Screenplay, Adapted	The English Patient (1996)
1997	SEFCA Award	Southeastern Film Critics Association Awards	Best Screenplay	The English Patient (1996)
1997	USC Scripter Award	USC Scripter Award		The English Patient (1996)
1997	Oscar	Academy Awards, USA	Best Director	The English Patient (1996)
1997	BAFTA Film Award	BAFTA Awards	Best Film	The English Patient (1996)
1997	BAFTA Film Award	BAFTA Awards	Best Screenplay - Adapted	The English Patient (1996)
1997	Critics Choice Award	Broadcast Film Critics Association Awards	Best Director	The English Patient (1996)
1997	Critics Choice Award	Broadcast Film Critics Association Awards	Best Screenplay	The English Patient (1996)
1997	DGA Award	Directors Guild of America, USA	Outstanding Directorial Achievement in Motion Pictures	The English Patient (1996)
1997	Guild Film Award - Gold	Guild of German Art House Cinemas	Foreign Film (Ausländischer Film)	The English Patient (1996)
1997	OFTA Film Award	Online Film & Television Association	Best Writing, Screenplay Based on Material from Another Medium	The English Patient (1996)
1996	STFC Award	Society of Texas Film Critics Awards	Best Screenplay, Adapted	The English Patient (1996)
1992	Writers' Guild of Great Britain Award	Writers' Guild of Great Britain	Film - Screenplay	Truly Madly Deeply (1990)
1992	BAFTA Film Award	BAFTA Awards	Best Screenplay - Original	Truly Madly Deeply (1990)
1992	Critics Award	Avoriaz Fantastic Film Festival		Truly Madly Deeply (1990)
1992	Evening Standard British Film Award	Evening Standard British Film Awards	Most Promising Newcomer	Truly Madly Deeply (1990)
1992	Best Screenplay	Mystfest		Truly Madly Deeply (1990)
1992	Critics Award	Mystfest		Truly Madly Deeply (1990)
1992	Audience Award	Mystfest		Truly Madly Deeply (1990)

Nominated Awards

Year	Award	Ceremony	Nomination	Movie
2009	Oscar	Academy Awards, USA	Best Motion Picture of the Year	The Reader (2008)
2009	BAFTA Film Award	BAFTA Awards	Best Film	The Reader (2008)
2009	BAFTA Film Award	BAFTA Awards	Best Short Film	Love You More (2008)
2009	European Film Award	European Film Awards	European Film	The Reader (2008)
2004	USC Scripter Award	USC Scripter Award		Cold Mountain (2003)
2004	WGA Award (Screen)	Writers Guild of America, USA	Best Adapted Screenplay	Cold Mountain (2003)
2004	Golden Globe	Golden Globes, USA	Best Director - Motion Picture	Cold Mountain (2003)
2004	Golden Globe	Golden Globes, USA	Best Screenplay - Motion Picture	Cold Mountain (2003)
2004	Alexander Korda Award for Best British Film	BAFTA Awards		Cold Mountain (2003)
2004	David Lean Award for Direction	BAFTA Awards		Cold Mountain (2003)
2004	BAFTA Film Award	BAFTA Awards	Best Screenplay - Adapted	Cold Mountain (2003)
2004	Movies for Grownups Award	AARP Movies for Grownups Awards	Best Screenwriter	Cold Mountain (2003)
2004	DGGB Award	Directors Guild of Great Britain	Outstanding Directorial Achievement in International Film	Cold Mountain (2003)
2004	Empire Award	Empire Awards, UK	Best Director	Cold Mountain (2003)
2004	Gold Derby Award	Gold Derby Awards	Adapted Screenplay	Cold Mountain (2003)
2004	ALFS Award	London Critics Circle Film Awards	British Director of the Year	Cold Mountain (2003)
2004	Golden Satellite Award	Satellite Awards	Best Screenplay, Adapted	Cold Mountain (2003)
2003	ACCA	Awards Circuit Community Awards	Best Adapted Screenplay	Cold Mountain (2003)
2001	ALFS Award	London Critics Circle Film Awards	British Screenwriter of the Year	The Talented Mr. Ripley (1999)
2000	Golden Satellite Award	Satellite Awards	Best Director	The Talented Mr. Ripley (1999)
2000	Golden Satellite Award	Satellite Awards	Best Screenplay, Adapted	The Talented Mr. Ripley (1999)
2000	USC Scripter Award	USC Scripter Award		The Talented Mr. Ripley (1999)
2000	WGA Award (Screen)	Writers Guild of America, USA	Best Screenplay Based on Material Previously Produced or Published	The Talented Mr. Ripley (1999)
2000	Oscar	Academy Awards, USA	Best Writing, Screenplay Based on Material Previously Produced or Published	The Talented Mr. Ripley (1999)
2000	Golden Globe	Golden Globes, USA	Best Director - Motion Picture	The Talented Mr. Ripley (1999)
2000	David Lean Award for Direction	BAFTA Awards		The Talented Mr. Ripley (1999)
2000	BAFTA Film Award	BAFTA Awards	Best Screenplay - Adapted	The Talented Mr. Ripley (1999)
2000	Golden Berlin Bear	Berlin International Film Festival		The Talented Mr. Ripley (1999)
2000	Edgar	Edgar Allan Poe Awards	Best Motion Picture	The Talented Mr. Ripley (1999)
2000	Sierra Award	Las Vegas Film Critics Society Awards	Best Director	The Talented Mr. Ripley (1999)
2000	Sierra Award	Las Vegas Film Critics Society Awards	Best Screenplay, Adapted	The Talented Mr. Ripley (1999)
2000	OFTA Film Award	Online Film & Television Association	Best Director	The Talented Mr. Ripley (1999)
2000	OFCS Award	Online Film Critics Society Awards	Best Adapted Screenplay	The Talented Mr. Ripley (1999)
1999	ACCA	Awards Circuit Community Awards	Best Adapted Screenplay	The Talented Mr. Ripley (1999)
1998	Czech Lion	Czech Lions	Best Foreign Language Film (Nejlepsí zahranicní film)	The English Patient (1996)
1998	César	César Awards, France	Best Foreign Film (Meilleur film étranger)	The English Patient (1996)
1998	Goya	Goya Awards	Best European Film (Mejor Película Europea)	The English Patient (1996)
1997	Golden Satellite Award	Satellite Awards	Best Director	The English Patient (1996)
1997	WGA Award (Screen)	Writers Guild of America, USA	Best Screenplay Based on Material Previously Produced or Published	The English Patient (1996)
1997	Oscar	Academy Awards, USA	Best Writing, Screenplay Based on Material Previously Produced or Published	The English Patient (1996)
1997	Golden Globe	Golden Globes, USA	Best Director - Motion Picture	The English Patient (1996)
1997	Golden Globe	Golden Globes, USA	Best Screenplay - Motion Picture	The English Patient (1996)
1997	David Lean Award for Direction	BAFTA Awards		The English Patient (1996)
1997	Golden Berlin Bear	Berlin International Film Festival		The English Patient (1996)
1997	OFTA Film Award	Online Film & Television Association	Best Director	The English Patient (1996)
1992	International Fantasy Film Award	Fantasporto	Best Film	Truly Madly Deeply (1990)
1992	Best Film	Mystfest		Truly Madly Deeply (1990)
1991	Best Film	Sitges - Catalonian International Film Festival		Truly Madly Deeply (1990)

2^nd Place Awards

Year	Award	Ceremony	Nomination	Movie
2004	ICS Award	International Cinephile Society Awards	Best Adapted Screenplay	Cold Mountain (2003)
1999	BSFC Award	Boston Society of Film Critics Awards	Best Director	The Talented Mr. Ripley (1999)
1996	ACCA	Awards Circuit Community Awards	Best Director	The English Patient (1996)
1996	ACCA	Awards Circuit Community Awards	Best Adapted Screenplay	The English Patient (1996)
1991	NYFCC Award	New York Film Critics Circle Awards	Best New Director	Truly Madly Deeply (1990)

Known for movies

Source

Celebrities

Anthony Minghella Net Worth

Anthony Minghella Net Worth 2023, Age, Height, Relationships, Married, Dating, Family, Wiki Biography

Anthony Minghella net worth is
$12 Million