Regina Ilyinichna Spektor was born on 18 February 1980, in Moscow, (then) Russian SFSR, Soviet Union, of Jewish descent, and is a singer, songwriter and pianist, popular in the independent scene which led her to mainstream success. She’s released several albums, many becoming highly popular. All of her efforts have helped put her net worth to where it is today.
How rich is Regina Spektor? As of early-2017, sources estimate a net worth that is at $12 million, mostly earned through a successful career in music. Some of her most notable releases include “Begin to Hope, “Far” and “What We Saw from the Cheap Seats”. As she continues her career, it is expected that his wealth will also continue to increase.
Regina Spektor Net Worth $12 million
Spektor was born into a musical family, and learned how to play the piano at a young age, being influenced a lot by classical music. In 1989 her family left the Soviet Union for the United States as refugees, assisted by the Hebrew Immigrant Aid Society (HIAS). Regina attended the Frisch School and later transferred to Fair Lawn High School from which she would matriculate. Growing up her musical influences started broadening, and she started writing her own songs and would attend Purchase College, becoming a part of the Conservatory of Music under the studio composition program. She graduated with honors in 2001.
Regina started to gain popularity in the anti-folk scene of New York City, performing at local cafes and self-publishing her own CDs, which included “11:11” and “Songs”. In 2003, she toured with The Strokes as their opening act, also recording “Modern Girls & Old Fashion Men”. She then became the opening act of Kings of Leon, before signing a contract deal with Sire Records, and the label helped her distribute her third album “Soviet Kitsch”, which would later earn her television appearances. Her net worth was starting to increase at this point, as she became the opening act for the rock band Keane. In 2006, she released “Begin to Hope” and the song “Fidelity” would help the album find popularity; it was certified Gold, and she toured to promote the album. She began performing in various major music festivals the following year, before releasing the video for the song “Better”. In 2008, she wrote the song “The Call” for the film “The Chronicles of Narnia: Prince Caspian”, and also appeared as a guest vocalist on the Ben Folds single “You Don’t Know Me”.
In 2009, Regina released the album “Far”, which debuted in third spot on the US Billboard 200. She appeared in various concerts throughout Europe, and as a performer on “Saturday Night Live”. The following year, she performed for President Obama in honor of the Jewish Heritage Month. In 2012, Spektor released “What We Saw from the Cheap Seats”, which also debuted in third spot on the Billboard 200. She recorded the main theme of the series “Orange is the New Black” entitled “You’ve Got Time”, and one of her latest projects is her seventh album “Remember Us to Life”.
For her personal life, it is known that Regina married singer Jack Dishel in 2011, and they have a son. She speaks fluent Russian and can read Hebrew. She’s also been involved in philanthropic work, including “Instant Karma: The Amnesty International Campaign to Save Darfur” and “Songs for Tibet”, and released songs to help with victims of the earthquakes in Haiti and Chile. She also took part in benefit concerts for the cellist Dan Cho, who passed away in 2010.
Singer, Record producer, Songwriter, Artist, Singer-songwriter, Musician, Pianist, Music artist
Education
Us, The Call, Samson, Montreal, Québec, Canada, Providence, RI, United States, Boston, MA, United States, Fair Lawn High School, Manhattan School of Music, Salanter Akiba Riverdale Academy, Frisch School, State University of New York at Purchase
Nationality
American
Spouse
Jack Dishel (m. 2011)
Parents
Ilya Spektor, Bella Spektor
Nicknames
Регина Спектор , Spektor, Regina , Regina Ilyinichna Spektor
MTV Video Music Award for Best Art Direction, Grammy Award for Best Song Written for Visual Media, Us, The Call, Samson, Montreal, Québec, Canada, Providence, RI, United States, Boston, MA, United States
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Trademark
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Her big smile
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Curly hair
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Long colourful dresses
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Quirky but intimate lyrics
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Steinway Piano
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Seafoam Epiphone Wildkat archtop hollow-body electric guitar
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Her distinctive voice
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Red hair and dark red lipstick
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Quote
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I've done that kind of stuff in records, where you start going back and you want to just redo everything, destroy everything, because you think it all sucks and you can do it better.
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It's not like I have all the answers.
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I'm like, 'Would you be the person in the room that would boo when Dylan went electric? I know I wouldn't. Or are you the person that left The Beatles after 'She Loves You,' or 'Drive My Car?' You weren't on board for 'Revolution 9' or 'Day In The Life,' were you?'
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I just like being all over the place and writing whatever comes to mind. Having the tools? It's such a gift.
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I think songwriters are more related to fiction writers. The Odyssey was a story in song. To me, that's so beautiful, all those painted characters, all those travels and adventures.
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I knew all this Beatles music. I knew the songs phonetically. It was like my whole experience of that music was out of focus, and somebody put the perfect glasses on me, and all of a sudden I could see everything.
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I've been thinking a lot about space. It was one of those slow-motion realizations how little we are, how far we are from everything else in our solar system. This idea of distance started kind of haunting me. How do you go forth and accomplish things but not end up leaving everything you started out with in the dust?
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I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
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I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.
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Tomorrow you might get a phone call about something wonderful and you might get a phone call about something terrible.
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The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.
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I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my parents to let me move back into my room.
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I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
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It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.
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When you're playing such brilliant music every day, then the last thing you ever want to do is try to write something of your own that's crude and not as good.
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Maybe I am skipping over the city and going from very personal things to the world, from internal experience to giant, far-away-from-space experience.
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I care so much about making things that are useful for people to have and listen to, but I don't care so much that I won't do whatever the hell I want. It's just one of those things.
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I go through insanity before a show. It's not really a process but it's like absolute mortal fear.
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This is the way I wanna die. Torn apart by angry fans who want me to play a different song.
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It feels very good to sing in Russian. It feels so good inside my body.
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You make something, and you really have fun with it, and you try to put emotion in it, and at the end of the day, you have no idea how the tide is going to fall. You don't know if everyone's going to like it, if everyone's going to hate it, if it's going to be like you're a media darling, or all of a sudden you're a sellout. You have no idea.
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I used to be such a militant city-ist, but more and more I've seen forests and nature and oceans, and I don't know any more if this is the awesomest way to live.
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Usually, I write it all together. The words and the piano part just come to find where they sit together, and the sounds and everything just kind of roll around over and over, until it all settles as a song. Sometimes I'll hum while walking and write a song, but usually I can never figure out a piano part to it later. It just stays an a Capella song.
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Fact
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Gave birth to her 1st child at age 34, a son in March 2014. Child's father is her husband, Jack Dishel.
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(December 18, 2011) Married her boyfriend of 6 years Jack Dishel after a 16-month-long engagement.
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Her first two English words were "garbage" and "sneakers.".
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She performed the song The Call in The Chronicles of Narnia: Prince Caspian (2008), as part of the film's finale sequence. Spektor wrote this song especially for the film.
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Was an opening act for The Strokes on their first Tour.
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Performed a Duet with The Strokes, "Modern Girls & Old Fashioned Men", on the B-Side of their single "Reptilia".
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Lives in New York City.
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Her family had to leave the Soviet Union because of the discrimination Jewish people faced.
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Signed by Sire Records.
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Master and Margarita is one her favorite books.
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Spektor went to college at SUNY Purchase in New York.
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Moved to the Bronx from Moscow and had to leave the family piano behind.
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Father is a violinist and mother is a music teacher.