Erika Joan Lindhome was born on the 5th March 1979, in Coudersport, Pennsylvania USA, of part-Swedish descent, and is an actress, comedian and musician, best known to the world for starting the comedy music duo Garfunkel and Oates with Kate Micucci. Aside from music ventures, Riki is also an accomplished actress, having starred in such productions as “Million Dollar Baby” (2004) as Mardell Fitzgerald, and as Sadie in the “The Last House on the Left” (2009), among other differing appearances. Her career started in 2001.
Have you ever wondered how rich Riki Lindhome is, as of mid- 2017? According to authoritative sources, it has been estimated that Lindhome’s net worth is as high as $400,000, an amount earned through her career in the entertainment industry.
Riki Lindhome Net Worth $400,000
Riki was raised in Portville, New York., and after matriculating enrolled at Syracuse University, and while there, became a part of the comedy sketch group, Syracuse Live. She obtained her degree in 2000, and then started pursuing an acting career.
She didn’t have an agent in her early career days, and all she could grab were minor roles such as in the TV series “Titus” in 2002, and “Buffy the Vampire Slayer” the same year. Two years later she was cast in the role of Mardell Fitzgerald in the sports drama “Million Dollar Baby”, directed by Clint Eastwood. Thanks to the success of the film, Riki was heard about around Hollywood, which resulted in new acting engagements. She didn’t have much success in television until later, but her film appearances largely helped her to increase her net worth. In 2008 she featured in the mystery drama “Changeling” with Angelina Jolie, and Amy Ryan in the lead roles, and the same year appeared next to Dane Cook, Kate Hudson and Alec Baldwin in the romantic comedy “My Best Friend’s Girl”. Also in 2008 she had one of her memorable roles, although a short one; appearing in the TV comedy series “The Big Bang Theory”, in which she portrayed Ramona Nowitzki, a student girl who falls in love with Sheldon Cooper, one of the lead characters of the show, played by Jim Parsons. The following year she portrayed Sadie in the horror “Last House on the Left”, which also increased her net worth.
Going into the present decade, Riki continued with her film roles, but also tried to make a name as a television star; as a result, she wrote, directed, and produced the TV comedy series “Garfunkel and Oates” (2014), which encompasses her musical ventures with Kate Micucci, and she also created the TV comedy series “Another Period” (2015-2017), in which she stars as Beatrice Bellacourt, one of the Bellacourt sisters, next to Natasha Leggero, who is also credited as co-creator. Most recently, Riki voiced Poison Ivy in the animated action adventure “The Lego Batman Movie” (2017).
To speak of her musical endeavors, aside from starting Garfunkel and Oats and releasing several musical videos for satirical songs the two recorded, Riki has also released the EP “Yell At Me From Your Car” in 2011, the sales of which also added to her wealth.
Regarding her personal life, Riki’s most intimate details such as marital status and the number of children are unknown, even jokingly successfully keeping any such assignations out of the public eye.
Primetime Emmy Award for Outstanding Original Music And Lyrics
Movies
Hell Baby, The Last House on the Left, Fun Size, Million Dollar Baby, Much Ado About Nothing, My Best Friend's Girl, Changeling, The Dramatics, Powder Blue, Nerdland, Escape From Polygamy, Pulse, A Better You, Imaginary Larry, Say Hello to Stan Talmadge, Embedded: Live, Garfunkel and Oates: Trying t...
TV Shows
Garfunkel and Oates, Girltrash!, Another Period
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We love super-silly moments, funny moments, serious moments, weird moments.
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Rich people are so eccentric, and I don't think people really realize. Especially by the turn of the century, they were living like rappers, and there was no income tax. They are some of the most fascinating people, and I am endlessly fascinated.
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Recording is just a lengthy process, so to have to record before every professional video, that's where a real time drain comes in.
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If you text someone, and you just get an emoticon back, it's over.
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It's great to get to make something in your own voice.
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If you're trying to be an actor, sometimes you get lucky, and you end up on 'The Office', but if you don't, and you know that you have something to say, it's really, really fortunate to be able to get to write and star in your own comedy.
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Sometimes I find myself in this super-raw place onstage where I'm like, 'Maybe that's not the best thing. Maybe I need to shut down a little.'
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If you believe in what you're doing, you should just do it. You'll keep getting better.
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The only autograph I ever got, which I do not have anymore, was from Matthew Fox when he was on Party of Five (1994). I was in high school, and he came to our local amusement park, and I stood in line and got an autograph.
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Most of my friends who got shows right away are still just doing shows, and they have no need to create.
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I think my parents wanted me to be whatever I wanted to be. But I do remember them - when I first moved out to L.A. - sending me applications to grad school for teaching.
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There's conflict in every story.
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I worked at a McDonald's inside a Walmart. It wasn't even a real McDonald's.
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The biggest trap that all performers and writers find is that when something really crazy, really bad happens, your mind immediately goes to, 'Can I write about this?' - which is good and bad.
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It's really hard to name a band.
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I feel like I'd be good at 'Password.' Or 'Pyramid.'
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That's the dating world. You just keep losing. Everyone does.
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Beige curtains... there's nothing wrong with them. You're not like, 'Ew, gross! Beige curtains!' You just don't notice them either way. They're just, like, fine.